“Les inventamos las palabras”: análisis de Magdalufi, de Verónica Sánchez Viamonte en clave de la autoficción
Since the late 2000s, there has been an increase in the artistic expressions made by the children of victims of state terrorism in Argentina (1973-1983). These “hijxs” have produced works in multiple artistic disciplines. This proliferation of works does not always reflect their condition as childre...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Litoral
2026
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/index/article/view/13945 |
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| Sumario: | Since the late 2000s, there has been an increase in the artistic expressions made by the children of victims of state terrorism in Argentina (1973-1983). These “hijxs” have produced works in multiple artistic disciplines. This proliferation of works does not always reflect their condition as children of victims nor does it adopt an autobiographical style, but it highlights the emergence of a new social subject that manifests itself through art. This paper focuses on the analysis of the work Magdalufi by Verónica Sánchez Viamonte, exploring it from the perspective of autofiction in order to propose its inclusion within the genre of the historical novel and generate possible interdisciplinary readings. |
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