No se puede volver al lugar del que uno (no) se fue. : El tiempo en el exilio heredado de Conjunto vacío
In this article we propose to analyze the construction of time in the Conjunto vacío by Verónica Gerber Bicecci. Framed in the artistic productions of the second generation of post-dictatorship, we consider that the novel seeks to name one of the social and subjective effects of political exile as a...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Litoral
2023
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ElTacoenlaBrea/article/view/13184 |
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| Sumario: | In this article we propose to analyze the construction of time in the Conjunto vacío by Verónica Gerber Bicecci. Framed in the artistic productions of the second generation of post-dictatorship, we consider that the novel seeks to name one of the social and subjective effects of political exile as a result of the last Argentine military dictatorship: the disorder of time. Using the memory of forms elaborated by Didi‒Huberman, we identify those passages where the narrator illuminates the coexistence of heterogeneous times, an element that demonstrates the difficulty of constituting a progressive chronological narrative, while at the same time finding in the writing and the I draw the possibility of symbolically resolving these imbalances, of accompanying the limits of language.
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