Memoria aural de una lucha
The Santa Fe flood in 2003 was one of the greatest avoidable tragedies in Argentine history. This article attempts to auscultate to the sounds of the struggle of one of the organizations born to demand justice. For more than 10 years, the March of the Torches took place every Tuesday (the day the wa...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Litoral
2023
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/12840 |
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I26-R133-article-12840 |
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I26-R133-article-128402024-09-02T22:24:22Z Memoria aural de una lucha Aural memory of a struggle Lvovich, Lea The Santa Fe flood in 2003 was one of the greatest avoidable tragedies in Argentine history. This article attempts to auscultate to the sounds of the struggle of one of the organizations born to demand justice. For more than 10 years, the March of the Torches took place every Tuesday (the day the water entered the city) and on the 29th of each month.This group stands out for transcending the claim for material reparation: it seeks truth and punishment for the guilty. The forms of the claim are approached from the perspective of sound studies, which allows perceiving the protest scenario as an acoustic territory and attending to what the sounds have to inform. Despite the fact that the March of the Torches has sought visual impact, the audible is imposed on the visible by its particular way of affecting. The representative rituals of the group are analyzed, such as naming out loud the victims and shouting at the door of the Courthouse, as well as the role of the songs, especially «No nos moverán » and the contrafacta «Inundador». La inundación de Santa Fe en 2003 fue una de las mayores tragedias evitables de la historia argentina. En este artículo se intenta auscultar los sonidos de la lucha de una de las organizaciones nacidas para exigir justicia. Durante más de 10 años, la Marcha de las Antorchas se manifestó todos los martes (el día que entró el agua a la ciudad) y los 29 de cada mes. Esta agrupación se destaca por trascender el reclamo de reparación material: pretende verdad y castigo a los culpables. Se abordan las formas del reclamo desde la perspectiva de los sound studies, lo que permite percibir al escenario de la protesta como territorio acústico y atender a lo que los sonidos tienen para informar. A pesar de que la Marcha de las Antorchas ha buscado impacto visual, lo audible se impone a lo visible por su particular modo de afectar. Se analizan los rituales representativos de la agrupación, como el nombrar en voz alta a las víctimas y gritar en la puerta del edificio de Tribunales, como también el rol de las canciones, especialmente No nos moverán y la contrafacta Inundador. Universidad Nacional del Litoral 2023-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html application/zip https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/12840 10.14409/rism.2023.22.e0026 Revista del ISM; Núm. 22 (2023): Revista del ISM; e0026 Revista del ISM; No. 22 (2023): Revista del ISM; e0026 2362-3322 1666-7603 10.14409/rism.2023.22 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/12840/17762 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/12840/17763 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/12840/17764 Derechos de autor 2023 Revista del ISM |
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| language |
Español |
| format |
Artículo revista |
| author |
Lvovich, Lea |
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Lvovich, Lea Memoria aural de una lucha |
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Lvovich, Lea |
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Lvovich, Lea |
| title |
Memoria aural de una lucha |
| title_short |
Memoria aural de una lucha |
| title_full |
Memoria aural de una lucha |
| title_fullStr |
Memoria aural de una lucha |
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Memoria aural de una lucha |
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memoria aural de una lucha |
| description |
The Santa Fe flood in 2003 was one of the greatest avoidable tragedies in Argentine history. This article attempts to auscultate to the sounds of the struggle of one of the organizations born to demand justice. For more than 10 years, the March of the Torches took place every Tuesday (the day the water entered the city) and on the 29th of each month.This group stands out for transcending the claim for material reparation: it seeks truth and punishment for the guilty. The forms of the claim are approached from the perspective of sound studies, which allows perceiving the protest scenario as an acoustic territory and attending to what the sounds have to inform. Despite the fact that the March of the Torches has sought visual impact, the audible is imposed on the visible by its particular way of affecting. The representative rituals of the group are analyzed, such as naming out loud the victims and shouting at the door of the Courthouse, as well as the role of the songs, especially «No nos moverán » and the contrafacta «Inundador». |
| publisher |
Universidad Nacional del Litoral |
| publishDate |
2023 |
| url |
https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/12840 |
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