La persistencia del pasado: Tensiones y conflictos en torno la eliminación de la censura cinematográfica durante la reconstrucción democrática (1983−1989)
The following article reconstructs the tensions and conflicts generated by thedismantling of film censorship during the government of Raúl Alfonsín(1983−1989). It will seek to demonstrate that the enactment of a new film ratinglaw, and the creation of a new more plural and democratic body were noten...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Litoral
2024
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/Culturas/article/view/12594 |
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| Sumario: | The following article reconstructs the tensions and conflicts generated by thedismantling of film censorship during the government of Raúl Alfonsín(1983−1989). It will seek to demonstrate that the enactment of a new film ratinglaw, and the creation of a new more plural and democratic body were notenough to end the influence that conservative groups had exerted on the filmworld for decades. It also seeks to account for the attacks that the film industryhad to endure by old adversaries such as the Catholic Church and its allies bothin justice and in the Catholic leagues, but also by some officials of the radicalgovernment itself, who sought to limit the «excesses of freedom» in filmproduction. To develop these ideas we have analyzed a significant number ofprimary sources, among which stands out mainly the specialized press, the“Plan Nacional de Cultura” (National Culture Plan) 1984−1989, thecinematographic legislation, the films questioned and an interview with ManuelAntín, director of “Instituto Nacional de Cine” (National Film Institute) between1983 and 1989. |
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