Metamorfosis poéticas en las Tristia de Ovidio: la memoria y el olvido en la construcción de la imagen del timonel
This paper proposes an analysis of the image of the helmsman in Ovid's Tristia. This image appears in the three storm episodes and ¡t seems to integrate some essential features of this exilic text. In order to show its metapoetical implications in the Tristia, we will study the image under the...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Asociación Argentina de Estudios Clásicos (AADEC) - Ediciones UNL
2025
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/argos/article/view/12446 |
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| Sumario: | This paper proposes an analysis of the image of the helmsman in Ovid's Tristia. This image appears in the three storm episodes and ¡t seems to integrate some essential features of this exilic text. In order to show its metapoetical implications in the Tristia, we will study the image under the light of the notions of memory and forgetfulness, applied not only to the narrative level, but also to its poetical construction. According to our analysis, these notions stress some ambiguities of the paradoxical condition of the exiled poet. The helmsman 'forgetfulness', which causes his lost of control in the middle of the storm, activates a net of literary evocations that interweave with the poetic voice of the Tristia, pointing out the several transformations of the poetic word during exile. |
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