Chamameceros exóticos: Representaciones de un género musical a través de un repertorio de sonoridades
This article presents a sound–discursive analysis of the «Chamameceros Exóticos» segment corresponding to the Los Chamameceros radio show, produced by Antonio Tarragó Ros, broadcast by Radio Nacional Rosario between 2007–2019. The objective of the analysis is to reflect on how social representatio...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Universidad Nacional del Litoral
2021
|
| Materias: | |
| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11032 |
| Aporte de: |
| Sumario: | This article presents a sound–discursive analysis of the «Chamameceros Exóticos» segment corresponding to the Los Chamameceros radio show, produced by Antonio Tarragó Ros, broadcast by Radio Nacional Rosario between 2007–2019. The objective of the analysis is to reflect on how social representations are manifested (Moscovici, 1985; Jodelet, 2002) and in what way they configure a musical aesthetic paradigm (García, 2010) of the «exotic Chamamé». A set of attributes is typified (technical and instrumental characteristics, organization of the musical material, musical performance, etc.) to establish a repertoire of sounds that allows identifying the «exotic Chamamé» as opposed to the «canonical Chamamé». The joint explo ration of the socio–discursive framework and the selective grouping of musical pieces that Tarragó Ros —as an outstanding representative of the musical genre, whose social status and assumed roles are recognized in a wide cultural field (Merriam, 1979)— carries out through a medium of broadcasting of national scope, it allows us to describe a mechanism of «autoexoticism» (Izquierdo–König, 2016) that reveals an opening of the Chamamé towards other symbolic spaces of recognition and acceptance. |
|---|