La lechuza de Minerva. Realismo y catástrofe

Thinking, like Minerva’s owl, spreads its wings only with the falling of dusk. Whereas for Hegel, this was a proof of wisdom, now it only indicates failure: facts explode in his face. Philosophy and criticism, with a few exceptions, still argue that there are only «consensual fictions» (Rancière 200...

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Autor principal: Rodríguez Carranza, Luz
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Litoral 2021
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Acceso en línea:https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/HilodelaFabula/article/view/10857
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spelling I26-R133-article-108572022-02-03T11:54:32Z La lechuza de Minerva. Realismo y catástrofe Minerva’s Owl. Realism and Catastrophe Rodríguez Carranza, Luz realism catastrophe delegated performance fiction Rafael Spregelburd realismo catástrofe performance delegada ficción Rafael Spregelburd Thinking, like Minerva’s owl, spreads its wings only with the falling of dusk. Whereas for Hegel, this was a proof of wisdom, now it only indicates failure: facts explode in his face. Philosophy and criticism, with a few exceptions, still argue that there are only «consensual fictions» (Rancière 2008) or, as Alain Badiou denounces, that «there are only bodies and languages» (Badiou 2008:621). Psychoanalysis, science and art, instead, have been able to imagine catastrophe with ease for a long time, and a kind of realism capable of recovering the ethical tension in the sense of change (Gramuglio) will be the one that thinks and signals the hesitation of fictions towards the real. In Pongamos por caso (2020), structured by Rafael Spregelburd and riddled by delegated performances of translators, the playwright «makes an accomplice out of the spectator of the fact that he is witnessing an act, despite it being traversed by states of truth. And that is what is real» (Spregelburd 2010:170-171). El pensamiento, como el ave de Minerva, inicia su vuelo al atardecer. Para Hegel eso era prueba de sabiduría, hoy solo indica un fracaso: los hechos le explotan en la cara. La filosofía y la crítica, con pocas excepciones, sostienen aún que solo hay «ficciones consensuales» (Rancière 2008) o, como denuncia Alain Badiou, que «no hay más que cuerpos y lenguajes» (Badiou 2008:621). La ciencia y el arte, en cambio, han imaginado la catástrofe con soltura desde hace siglos, y un realismo que recupere la tensión ética en el sentido del cambio (Gramuglio) será el que piense y señale la vacilación de las ficciones hacia lo real. En Pongamos por caso (2020), obra estructurada por Rafael Spregelburd y acribillada por performances delegadas de traductores, el dramaturgo «hace cómplice al espectador de que está frente a una actuación, pese a que esta esté atravesada por estados de verdad. Y que eso es lo real». (Spregelburd 2010:170-171). Universidad Nacional del Litoral 2021-11-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html text/xml application/zip https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/HilodelaFabula/article/view/10857 10.14409/hf.19.22.e0006 El Hilo de la Fabula; Núm. 22 (19): El hilo de la fábula; e0006 El Hilo de la Fabula; No. 22 (19): El hilo de la fábula; e0006 2362-5651 1667-7900 10.14409/hf.19.22 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/HilodelaFabula/article/view/10857/14605 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/HilodelaFabula/article/view/10857/14606 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/HilodelaFabula/article/view/10857/14607 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/HilodelaFabula/article/view/10857/14608 Derechos de autor 2021 El Hilo de la Fabula
institution Universidad Nacional del Litoral
institution_str I-26
repository_str R-133
container_title_str Biblioteca Virtual - Publicaciones (UNL)
language Español
format Artículo revista
topic realism
catastrophe
delegated performance
fiction
Rafael Spregelburd
realismo
catástrofe
performance delegada
ficción
Rafael Spregelburd
spellingShingle realism
catastrophe
delegated performance
fiction
Rafael Spregelburd
realismo
catástrofe
performance delegada
ficción
Rafael Spregelburd
Rodríguez Carranza, Luz
La lechuza de Minerva. Realismo y catástrofe
topic_facet realism
catastrophe
delegated performance
fiction
Rafael Spregelburd
realismo
catástrofe
performance delegada
ficción
Rafael Spregelburd
author Rodríguez Carranza, Luz
author_facet Rodríguez Carranza, Luz
author_sort Rodríguez Carranza, Luz
title La lechuza de Minerva. Realismo y catástrofe
title_short La lechuza de Minerva. Realismo y catástrofe
title_full La lechuza de Minerva. Realismo y catástrofe
title_fullStr La lechuza de Minerva. Realismo y catástrofe
title_full_unstemmed La lechuza de Minerva. Realismo y catástrofe
title_sort la lechuza de minerva. realismo y catástrofe
description Thinking, like Minerva’s owl, spreads its wings only with the falling of dusk. Whereas for Hegel, this was a proof of wisdom, now it only indicates failure: facts explode in his face. Philosophy and criticism, with a few exceptions, still argue that there are only «consensual fictions» (Rancière 2008) or, as Alain Badiou denounces, that «there are only bodies and languages» (Badiou 2008:621). Psychoanalysis, science and art, instead, have been able to imagine catastrophe with ease for a long time, and a kind of realism capable of recovering the ethical tension in the sense of change (Gramuglio) will be the one that thinks and signals the hesitation of fictions towards the real. In Pongamos por caso (2020), structured by Rafael Spregelburd and riddled by delegated performances of translators, the playwright «makes an accomplice out of the spectator of the fact that he is witnessing an act, despite it being traversed by states of truth. And that is what is real» (Spregelburd 2010:170-171).
publisher Universidad Nacional del Litoral
publishDate 2021
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/HilodelaFabula/article/view/10857
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