Suffering in Comala: the voices of specters in Pedro Paramo
Memory andremembrance aretwo key elements thatshapethe construction of our identity. The allusion to our past self allows us to trace the traces of a past that delves into our character, our traditions, our perspectiveor the sociocultural formation of the collective imaginary.This article analyzes t...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Departamento de Letras - Facultad de Humanidade
2022
|
| Materias: | |
| Acceso en línea: | https://revele.uncoma.edu.ar/index.php/letras/article/view/4420 |
| Aporte de: |
| Sumario: | Memory andremembrance aretwo key elements thatshapethe construction of our identity. The allusion to our past self allows us to trace the traces of a past that delves into our character, our traditions, our perspectiveor the sociocultural formation of the collective imaginary.This article analyzes the mechanisms used by Juan Rulfo, in his workPedro Páramo(1955), to build and reconstruct his own identity. The allusion to a mythical past allowstoestablisha dialogue with the then and now, as a way to understand its evolution and, especially, to keep memory alive. InPedro Páramo, the deceased, as fantastic figures anchored to the timeless, function as perfect anchors between the past and present discursive dichotomy |
|---|