talo Calvinomise en abîme: “E io, chi ero?”
In Italo Calvino's work, both in his clearly autobiographical texts and in his fictional ones, a tendency towards self-representation can be observed. But, in addition, the author ofPalomarextendsthis practice to a third type of writing, which is the essay. We believe that he appeals to this la...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Letras - Facultad de Humanidade
2022
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| Acceso en línea: | https://revele.uncoma.edu.ar/index.php/letras/article/view/4413 |
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I22-R128-article-4413 |
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I22-R128-article-44132024-12-09T15:25:29Z talo Calvinomise en abîme: “E io, chi ero?” Italo Calvino mise en abîme: “E io, chi ero?” Esteban, Mariana Ethel Ensayo Identificación Momento autofiguracional Calvino Essay Identification Self-figurational moment Calvino In Italo Calvino's work, both in his clearly autobiographical texts and in his fictional ones, a tendency towards self-representation can be observed. But, in addition, the author ofPalomarextendsthis practice to a third type of writing, which is the essay. We believe that he appeals to this last genre to sustain and build his own image as a writer, through the opinion he displays on other authors, who would function as amise en abîmeof his own image. To develop the conjecture raised above, we build the category of 'self-figurational moment' or‘moment of self-figuration’, which is an adaptation and synthesis of the concepts of Paul de Man and José Amícola. The non-fictional writings cover a period from 1955 to 1960, a critical moment for Calvino as far as his own image as a writer is concerned. We will work with a corpus of essays that are notably representative of that period: “La espina dorsal” (1955), written at a timeof crisis as a writer although successful in his work as critic and editor of Einaudi; "Pavese ser y hacer" from 1960, given the key importance that this author had in his formation: and finally we will analyze"El mar de la objetividad", from that same year,which isan essay that preludes his Frenchperiodand where he accentuates his interest in the rational En la obra de Italo Calvino, tanto en sus textos de carácter claramente autobiográfico como en los de ficción, se observa una tendencia hacia la autorrepresentación. Pero, además, el autor de Palomar extiende esta práctica hacia un tercer tipo de escritura, que es el ensayo. Consideramos que apela a este último género para sostener y construir su propia imagen de escritor, a través de la opinión que despliega sobre otros autores, quienes funcionarían como una mise en abîme de su propia imagen. Para desarrollar la conjetura planteada más arriba, construimos la categoría de ‘momento autofiguracional’ o ‘momento de autofiguración’, que es una adaptación y síntesis de los conceptos de Paul de Man y de José Amícola. Los escritos no-ficcionales elegidos abarcan un período que va desde 1955 hasta 1960, un momento crítico para Calvino en lo que concierne a su propia imagen como escritor. Trabajaremos con un corpus de ensayos señaladamente representativos de esa etapa: “La espina dorsal” (1955), escrito en una época de crisis como escritor aunque exitosa en sus labores de crítico y editor de Einaudi; “Pavese ser y hacer” de 1960, dada la importancia clave que este autor tuvo en su formación y, finalmente, analizaremos “El mar de la objetividad” de ese mismo año, ensayo que preludia su período francés y en donde acentúa su interés por lo racional. Departamento de Letras - Facultad de Humanidade 2022-12-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revele.uncoma.edu.ar/index.php/letras/article/view/4413 Language and Literature Magazine; No. 40 (2022): Revista de Lengua y Literatura; 21-34 Revista de Lengua y Literatura; Núm. 40 (2022): Revista de Lengua y Literatura; 21-34 2408-4646 0327-1951 spa https://revele.uncoma.edu.ar/index.php/letras/article/view/4413/61417 Derechos de autor 2022 Revista de Lengua y Literatura https://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
| institution |
Universidad Nacional del Comahue |
| institution_str |
I-22 |
| repository_str |
R-128 |
| container_title_str |
Repositorio de Revistas Electrónicas REVELE (UNComahue) |
| language |
Español |
| format |
Artículo revista |
| topic |
Ensayo Identificación Momento autofiguracional Calvino Essay Identification Self-figurational moment Calvino |
| spellingShingle |
Ensayo Identificación Momento autofiguracional Calvino Essay Identification Self-figurational moment Calvino Esteban, Mariana Ethel talo Calvinomise en abîme: “E io, chi ero?” |
| topic_facet |
Ensayo Identificación Momento autofiguracional Calvino Essay Identification Self-figurational moment Calvino |
| author |
Esteban, Mariana Ethel |
| author_facet |
Esteban, Mariana Ethel |
| author_sort |
Esteban, Mariana Ethel |
| title |
talo Calvinomise en abîme: “E io, chi ero?” |
| title_short |
talo Calvinomise en abîme: “E io, chi ero?” |
| title_full |
talo Calvinomise en abîme: “E io, chi ero?” |
| title_fullStr |
talo Calvinomise en abîme: “E io, chi ero?” |
| title_full_unstemmed |
talo Calvinomise en abîme: “E io, chi ero?” |
| title_sort |
talo calvinomise en abîme: “e io, chi ero?” |
| description |
In Italo Calvino's work, both in his clearly autobiographical texts and in his fictional ones, a tendency towards self-representation can be observed. But, in addition, the author ofPalomarextendsthis practice to a third type of writing, which is the essay. We believe that he appeals to this last genre to sustain and build his own image as a writer, through the opinion he displays on other authors, who would function as amise en abîmeof his own image. To develop the conjecture raised above, we build the category of 'self-figurational moment' or‘moment of self-figuration’, which is an adaptation and synthesis of the concepts of Paul de Man and José Amícola. The non-fictional writings cover a period from 1955 to 1960, a critical moment for Calvino as far as his own image as a writer is concerned. We will work with a corpus of essays that are notably representative of that period: “La espina dorsal” (1955), written at a timeof crisis as a writer although successful in his work as critic and editor of Einaudi; "Pavese ser y hacer" from 1960, given the key importance that this author had in his formation: and finally we will analyze"El mar de la objetividad", from that same year,which isan essay that preludes his Frenchperiodand where he accentuates his interest in the rational |
| publisher |
Departamento de Letras - Facultad de Humanidade |
| publishDate |
2022 |
| url |
https://revele.uncoma.edu.ar/index.php/letras/article/view/4413 |
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AT estebanmarianaethel talocalvinomiseenabimeeiochiero AT estebanmarianaethel italocalvinomiseenabimeeiochiero |
| first_indexed |
2023-01-04T21:54:01Z |
| last_indexed |
2025-02-05T23:00:16Z |
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1823260190762336256 |