Dead girls: the revision of the archive as a possibility of construction of memory(s)
This article, based on the analysis of the non-fiction DeadGirls by Selva Almada, addresses the theme of the archive and its revisión as a possibility to construct memoriy(ies). Through the contrastive Analysis of the (hegemonic) archive and testimonies, the conditions of existence that made certain...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
APEHUN, Asociación de Profesores de Enseñanza de la Historia de Universidades Nacionales
2022
|
| Materias: | |
| Acceso en línea: | https://revele.uncoma.edu.ar/index.php/resenas/article/view/4042 |
| Aporte de: |
| Sumario: | This article, based on the analysis of the non-fiction DeadGirls by Selva Almada, addresses the theme of the archive and its revisión as a possibility to construct memoriy(ies). Through the contrastive Analysis of the (hegemonic) archive and testimonies, the conditions of existence that made certain enunciation possible, while denying others, are explored; just as they allowed the existence of some subjects and denied that of others. It is observed how from the femicide category, which accounts for a new paradigm, the author reviews the past of three women murdered in the eighties, in the inlands of, when death due to gender was not contemplated yet. In that gesture that digs into the past, it is sought to build memory, (and) to do justice to those who were silenced |
|---|