The publics of combined arts in Argentina. A review of research agendas
What knowledge about publics of Combined Arts was developed from the social sciences in Argentina? The aim of this article is to present a critical review of the production of knowledge for the last twenty years, about the reception of cinema, theatre and opera. We have made an extensive survey on a...
Guardado en:
| Autores principales: | , |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro Universitario Regional Zona Atlántica - Universidad Nacional del Comahue - Argentin
2017
|
| Materias: | |
| Acceso en línea: | http://revele.uncoma.edu.ar/index.php/Sociales/article/view/1713 |
| Aporte de: |
| Sumario: | What knowledge about publics of Combined Arts was developed from the social sciences in Argentina? The aim of this article is to present a critical review of the production of knowledge for the last twenty years, about the reception of cinema, theatre and opera. We have made an extensive survey on academic papers published from 1990, in the field of social sciences, about publics of arts in Argentina. Regarding this corpus, we set out the following questions: what are the favorite issues? Which disciplinary and theoretical perspectives do researchers use more frequently? What methodologies are employed? In this way, we have rebuilt a map of thematic, theoretical and methodological coincidences and divergences. The result shows an ensemble of contributions to knowledge that – even if they may be fragmentary or shows many lacks- it provides a base of references to future researches on publics of arts in Argentina. This work of systematization and reflection allows us to point out the unexplored areas and the shortcomings that the current status of the issue presents. |
|---|