Tradition and Revolution: The Invention of Colonial Art in the Colombian Historiography of the 1960s
The 1960s was a crucial decade in the consolidation of the artistic discipline in Colombia, and this motivates to reconstruct the art history of the country. During these years, the study of the artistic production through the colonial “neogranadian” period was studied by authors who shaped and...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo publishedVersion Artículo revisado por pares |
| Lenguaje: | Inglés Español |
| Publicado: |
Pontificia Universidad Javeriana
2014
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| Materias: | |
| Acceso en línea: | http://revistas.javeriana.edu.co/index.php/memoysociedad/article/view/8294 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=co/co-019&d=article8294oai |
| Aporte de: |
| id |
I16-R122-article8294oai |
|---|---|
| record_format |
dspace |
| institution |
Consejo Latinoamericano de Ciencias Sociales |
| institution_str |
I-16 |
| repository_str |
R-122 |
| collection |
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) |
| language |
Inglés Español |
| topic |
Historiography; art history; colonial art history Historiografía; historia del arte; historia del arte colonial |
| spellingShingle |
Historiography; art history; colonial art history Historiografía; historia del arte; historia del arte colonial Rojas Cocoma, Carlos Tradition and Revolution: The Invention of Colonial Art in the Colombian Historiography of the 1960s |
| topic_facet |
Historiography; art history; colonial art history Historiografía; historia del arte; historia del arte colonial |
| description |
The 1960s was a crucial decade in the consolidation of the artistic discipline in Colombia, and this motivates to reconstruct the art history of the country. During these years, the study of the artistic production through the colonial “neogranadian” period was studied by authors who shaped and strengthened the category of “Colonial art”. This category, far from being homogeneous, was determined by each author according to their own theoretical horizons and their respective places of production, establishing two different ways of legitimacy: either by way of tradition, or by the rupture and the transgression path. The aim of this essay is to understand the historiographical production of places of experience, truth and observation during the moment in which the discipline of art history was consolidated in Colombia. |
| format |
Artículo publishedVersion Artículo revisado por pares Artículo publishedVersion Artículo revisado por pares |
| author |
Rojas Cocoma, Carlos |
| author_facet |
Rojas Cocoma, Carlos |
| author_sort |
Rojas Cocoma, Carlos |
| title |
Tradition and Revolution: The Invention of Colonial Art in the Colombian Historiography of the 1960s |
| title_short |
Tradition and Revolution: The Invention of Colonial Art in the Colombian Historiography of the 1960s |
| title_full |
Tradition and Revolution: The Invention of Colonial Art in the Colombian Historiography of the 1960s |
| title_fullStr |
Tradition and Revolution: The Invention of Colonial Art in the Colombian Historiography of the 1960s |
| title_full_unstemmed |
Tradition and Revolution: The Invention of Colonial Art in the Colombian Historiography of the 1960s |
| title_sort |
tradition and revolution: the invention of colonial art in the colombian historiography of the 1960s |
| publisher |
Pontificia Universidad Javeriana |
| publishDate |
2014 |
| url |
http://revistas.javeriana.edu.co/index.php/memoysociedad/article/view/8294 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=co/co-019&d=article8294oai |
| work_keys_str_mv |
AT rojascocomacarlos traditionandrevolutiontheinventionofcolonialartinthecolombianhistoriographyofthe1960s AT rojascocomacarlos tradicionorevolucionlainvenciondelartecolonialenlahistoriografiacolombianaenladecadade1960 |
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Repositorios |
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1764820439362699265 |