Argentine TV Fictions at International Film Festivals
This article examines the recent participation of Argentinian television series in international film festivals in an audiovisual context dominated by radical changes in production, distribution and consumption. The proposal of this work is to describe the multiple identity of contemporary audiovisu...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
| Publicado: |
Universidad de Chile. Instituto de la Comunicación e Imagen
2020
|
| Acceso en línea: | https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/56658 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article56658oai |
| Aporte de: |
| Sumario: | This article examines the recent participation of Argentinian television series in international film festivals in an audiovisual context dominated by radical changes in production, distribution and consumption. The proposal of this work is to describe the multiple identity of contemporary audiovisual and postulate that the incursion of recognized artists in the television format - and its exhibition at film festivals - works as a legitimate double operation, elevating the series as a cultural product and artistic expression. From this perspective, the narrative and stylistic construction of two Argentine fictions will be analyzed, as well as the journeys undertaken by them - their television broadcast, online platforms and audiovisual festivals. The conclusions of the article aim to highlight the central place occupied by the circulation and distribution of television fiction in the audiovisual industry and in the recognition spaces usually associated with film and television. |
|---|