The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories

Subjectivity in Caio Fernando Abreu’s fiction should not be apprehended in the light of the Cartesian Cogito because it expresses a subjective experience as well as specific subjectivation which do not refer to a personal self, rather, it relates to the way a given set of power relation produces the...

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Autor principal: Forster, Gabrielle da Silva
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: Revista de Letras 2012
Materias:
Acceso en línea:http://seer.fclar.unesp.br/letras/article/view/5107
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-048&d=article5107oai
Aporte de:
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record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Portugués
topic Caio Fernando Abreu; Deleuzian-Guattarian curve; Short stories;
Caio Fernando Abreu; Dobra deleuziana-guattariana; Contos;
spellingShingle Caio Fernando Abreu; Deleuzian-Guattarian curve; Short stories;
Caio Fernando Abreu; Dobra deleuziana-guattariana; Contos;
Forster, Gabrielle da Silva
The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
topic_facet Caio Fernando Abreu; Deleuzian-Guattarian curve; Short stories;
Caio Fernando Abreu; Dobra deleuziana-guattariana; Contos;
description Subjectivity in Caio Fernando Abreu’s fiction should not be apprehended in the light of the Cartesian Cogito because it expresses a subjective experience as well as specific subjectivation which do not refer to a personal self, rather, it relates to the way a given set of power relation produces the curvature. Being so, the Deleuzian concept of curve is a relevant tool to understand the fictional, subjective experience of the writer’s work. In his artistic production, the classic image of the universal subject is replaced for the thought-event idea, where the exterior part is inseparable from its interior one and the movement processed in the author’s short stories includes the interposition of the inside and the outside; therefore, such procedure can be understood as one which goes against the State apparatus. In order to understand the writer’s artistic production as a war machine, I intend to analyze some of his short stories where the characters are similar to those visionary ones as pointed by Deleuze and Guattari: they are aware of the intolerable within a situation and open up a new field of possibilities.
format Artículo
publishedVersion
Artículo
publishedVersion
author Forster, Gabrielle da Silva
author_facet Forster, Gabrielle da Silva
author_sort Forster, Gabrielle da Silva
title The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
title_short The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
title_full The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
title_fullStr The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
title_full_unstemmed The deterritorialization of “the self ” in Caio Fernando Abreu’s short stories
title_sort deterritorialization of “the self ” in caio fernando abreu’s short stories
publisher Revista de Letras
publishDate 2012
url http://seer.fclar.unesp.br/letras/article/view/5107
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-048&d=article5107oai
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