From the creator to the creature: the discursive unfolding in Fazendo Ana Paz and Retratos de Carolina by Lygia Bojunga

The aim of this study is to focus on the narratives Fazendo Ana Paz (1991) and Retratos de Carolina (2002) by Lygia Bojunga to show the ways the author incorporates the embodiment of the implied author, that is, the projection of the authorial category in the diegetic universe, thus establishing a m...

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Detalles Bibliográficos
Autor principal: Ando, Marta Yumi
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: ITINERÁRIOS – Revue de Littérature 2012
Materias:
Juvenile literature; Narrative focus; Characters; Lygia Bojunga;
Literatura juvenil; Foco narrativo; Personagens; Lygia Bojunga;
Acceso en línea:http://seer.fclar.unesp.br/itinerarios/article/view/4867
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-048&d=article4867oai
Aporte de:
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) de Consejo Latinoamericano de Ciencias Sociales
Descripción
Sumario:The aim of this study is to focus on the narratives Fazendo Ana Paz (1991) and Retratos de Carolina (2002) by Lygia Bojunga to show the ways the author incorporates the embodiment of the implied author, that is, the projection of the authorial category in the diegetic universe, thus establishing a mimetic game between reality and fiction.

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