Comparative narrative analysis of the series Lost with audiovisual productions of fiction
Through a methodology based on narrative analysis, this research exposes how the multicultural, thematic and structural narrative construction of the television series Lost (ABC 2004-2010) has transcended to other contemporary and subsequent audiovisual creations. It becomes in a key piece that base...
Guardado en:
| Autor principal: | |
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español Inglés |
| Publicado: |
Universidad de Chile. Instituto de la Comunicación e Imagen
2018
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| Acceso en línea: | https://comunicacionymedios.uchile.cl/index.php/RCM/article/view/48212 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article48212oai |
| Aporte de: |
| Sumario: | Through a methodology based on narrative
analysis, this research exposes how the multicultural,
thematic and structural narrative
construction of the television series Lost (ABC
2004-2010) has transcended to other contemporary
and subsequent audiovisual creations.
It becomes in a key piece that bases diverse
communication discourses. Lost establishes a
new creation model for different audiovisual
products based on intertextuality. By observing
different cases based on similarities and inheritances
with this series, the hypothesis of this
study suggests through the discourse analysis of
different television and film fictions, how this influences
their processes. Among them, we find
Star Wars, which in its new cinematic proposals
implanted considerable elements of content
coinciding with Lost. Likewise, this article also
shows from an analytical perspective the evolution
and trends of different audiovisual products
in recent years. |
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