Cinema and Avant-garde in Argentina
The concepts of avant-garde and political cinema cross each other until lose their limits in the critical years of the late 60´s and early 70´s. If we define artistic avant-garde as a position ahead of every cultural hegemony of those time, we understand that Argentinean cinema...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Universidad de Chile. Instituto de la Comunicación e Imagen
2011
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| Acceso en línea: | http://www.comunicacionymedios.uchile.cl/index.php/RCM/article/view/26341 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article26341oai |
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| Sumario: | The concepts of avant-garde and political cinema cross each other until lose their limits in the critical years of the late 60´s and early 70´s. If we define artistic avant-garde as a position ahead of every cultural hegemony of those time, we understand that Argentinean cinema of that period generated two absolutely revolutionary sets of artworks: Solanas and Gleyzer´s films caused the admiration and compression of the European intellectuals and, two decades later, inspired a new generation of film-makers who take on the production of documentaries confronting the 90´s neoliberalism. |
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