Production of the verisimilar-history. Cinema in the limits of historical consciousness
In this paper some narrative strategies are identified of what may be termed “post-historical cinema”: reduction of scale, partiality for everyday contexts, abandonment of the epic register and a sort of “antihumanism”. It is argued that such cin...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
| Publicado: |
Universidad de Chile. Instituto de la Comunicación e Imagen
2012
|
| Materias: | |
| Acceso en línea: | http://www.comunicacionymedios.uchile.cl/index.php/RCM/article/view/24906 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=cl/cl-002&d=article24906oai |
| Aporte de: |
| Sumario: | In this paper some narrative strategies are identified of what may be termed “post-historical cinema”: reduction of scale, partiality for everyday contexts, abandonment of the epic register and a sort of “antihumanism”. It is argued that such cinema fails to reflect upon contemporary reality and impedes the development of a historical consciousness. |
|---|