Autobiographical imagining things. Voices, time and mirrors in two feminine autobiographies
This text analyzes two feminine autobiographies under a new gender reading vision. These are La casa de los Conejos (The rabbit house) (Laura Alcoba) and Sueño con menguante, Biografía de una “machi” Dream on the wane. A “machi” Biography. (Sonia Montecinos). The article pretends answering the fo...
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| Formato: | Artículo revisado por pares |
| Lenguaje: | Español |
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Facultad de Ciencias Políticas y Sociales, UNAM
2011
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| Acceso en línea: | http://www.revistas.unam.mx/index.php/ras/article/view/24301 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=mx/mx-047&d=article24301oai |
| Aporte de: |
| Sumario: | This text analyzes two feminine autobiographies under a new gender reading vision. These are La casa de los Conejos (The rabbit house) (Laura Alcoba) and Sueño con menguante, Biografía de una “machi” Dream on the wane. A “machi” Biography. (Sonia Montecinos). The article pretends answering the following questions: ¿Who tells the story: the one who lived passed events or the one who remembers them? ¿Where exactly does he speak from? ¿Under which conditions is the text generated, and what is expressed in this format and final content? ¿Which are the central biographical moments from which the passed imaginary relationship is reconstructed? ¿How is the narrative identity built, spread in split personality diversity between the writer, the narrator and the character presented? ¿What is the silence role in this identity construction? ¿Which is the “posteriori” meaning given to recreated experiences, which only have a meaning assumed by the author? ¿How is the autobiographical account filtered by subjectivity –the present one– and, fundamentally the imaginary relationship between the writer and his past? |
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