La vigencia de los conceptos de la Poética de Aristóteles en el relato cinematográfico: peripecia y anagnórisis

Peripétia and anagnorisis are two key concepts in Aristotle Poetics. By means of this study, we will demonstrate that they are also basic concepts for narrative film because its relevance is present in the structure of the stories in the big screen. Through the creation of a specific methodological...

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Guardado en:
Detalles Bibliográficos
Autor principal: Pujol Leiva, Carlos
Formato: Artículo Artículo revisado por pares publishedVersion
Publicado: Sección Departamental de Biblioteconomía y Documentación 2010
Materias:
Aristotle ; Poetics ; Peripétia ; Anagnorisis ; Screenplay ; Setup ; Confrontation ; Resolution ; Plots points ; Climax ; Film story
Aristóteles ; Poética ; Peripecia ; Anagnórisis ; Guión cinematográfico ; Planteamiento ; Nudo ; Desenlace ; Puntos de giro ; Clímax ; Relato cinematográfico
Cine;
Acceso en línea:http://revistas.ucm.es/index.php/CDMU/article/view/CDMU1010110315A
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=es/es-019&d=article21679oai
Aporte de:
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) de Consejo Latinoamericano de Ciencias Sociales
Descripción
Sumario:Peripétia and anagnorisis are two key concepts in Aristotle Poetics. By means of this study, we will demonstrate that they are also basic concepts for narrative film because its relevance is present in the structure of the stories in the big screen. Through the creation of a specific methodological tool that addresses the internal organization of the screenplay, we will place the peripétia and anagnorisis within this structure in several films over several decades in the Cinema History.

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