Análisis Fílmico e Interpretación: Epistemología de los modos de significación

This work refers to the program "Theory and analysis and documentation film", information sciences (UCM), DEA, 2009-2010 course. With a view to its publication in the delivery of multimedia documentation papers highlights such work especially the introductory sections of the research and f...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Vázquez de la Fuente, Manuel
Formato: Artículo Artículo revisado por pares publishedVersion
Publicado: Sección Departamental de Biblioteconomía y Documentación 2010
Materias:
Epistemology ; Metacriticism ; Meaning ; Interpretation ; Film theory ; Film analysis ; Methodology ; Analytical paradigm ; Continental paradigm ; Objectivity ; Science of the subject
Epistemología ; Metacrítica ; Significado ; Interpretación ; Teorías cinematográficas ; Análisis fílmico ; Metodología ; Paradigma analítico ; Paradigma continental ; Objetividad ; Ciencias del sujeto
Análisis documental; Cine;
Acceso en línea:http://revistas.ucm.es/index.php/CDMU/article/view/CDMU1010110249A
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=es/es-019&d=article21672oai
Aporte de:
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) de Consejo Latinoamericano de Ciencias Sociales
Descripción
Sumario:This work refers to the program "Theory and analysis and documentation film", information sciences (UCM), DEA, 2009-2010 course. With a view to its publication in the delivery of multimedia documentation papers highlights such work especially the introductory sections of the research and findings to which the author has come The aim of this paper is mainly focused on performing a ranking of the various existing film analysis methodologies. The idea is to demonstrate the epistemological substrate underpinning them, as well as the theoretical implications such influence exercised over them.

Ejemplares similares