Problematizations about gender of discourse in nonfiction comics
This research aims to analysis and questioning of gender discourse in nonfiction comics entitled O incrível mensalão, of Angeli, conveyed in the newspaper Folha de São Paulo, in 2012. The theoretical foundation is bound to works of Bakhtin (2003, 2006) and the notion of gender discourse and others....
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| Autores principales: | , , |
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| Formato: | Artículo publishedVersion Artigo Avaliado pelos Pares |
| Lenguaje: | Portugués |
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Universidade Estadual de Londrina
2016
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| Acceso en línea: | http://www.uel.br/revistas/uel/index.php/entretextos/article/view/21473 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-038&d=article21473oai |
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| Sumario: | This research aims to analysis and questioning of gender discourse in nonfiction comics entitled O incrível mensalão, of Angeli, conveyed in the newspaper Folha de São Paulo, in 2012. The theoretical foundation is bound to works of Bakhtin (2003, 2006) and the notion of gender discourse and others. For the theory of comics, Eisner's works are used (2001, 2005), focusing on the concepts of sequential art and graphic narrative; and Ramos (2009a, 2009b), with contributions about the language of comics. It is noticeable the use of speech story genre in comics to the approach of nonfiction topics, such as the case of the mensalão. Features that support the use of history in nonfiction comics are the use the verbal and non-verbal language and the relationship between centripetal and centrifugal forces of the genre and the growing acceptance of gender in today's society. |
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