THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO

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In the manuscripts of Leonidas Lamborghini's novel, Trento, the comments on the spectator demonstrate the force that acquires the theatrical and narrative dimension in his  work, not only in borrowing the dramatic techniques but especially in considering genres and their) edges. The organizatio...

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Detalles Bibliográficos
Autor principal: Repetto, Carolina Rosa
Formato: Artículo publishedVersion Artículos revisados por pares
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2015
Materias:
genética; teatro; Lamborghini; lector; Trento
Acceso en línea:https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12284
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=ar/ar-001&d=article12284oai
Aporte de:
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) de Consejo Latinoamericano de Ciencias Sociales
id I16-R122-article12284oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Español
topic genética; teatro; Lamborghini; lector; Trento
spellingShingle genética; teatro; Lamborghini; lector; Trento
Repetto, Carolina Rosa
THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
topic_facet genética; teatro; Lamborghini; lector; Trento
description In the manuscripts of Leonidas Lamborghini's novel, Trento, the comments on the spectator demonstrate the force that acquires the theatrical and narrative dimension in his  work, not only in borrowing the dramatic techniques but especially in considering genres and their) edges. The organization of the Lamborghini’s manuscripts has allowed an exhaustive analysis of the aspects of his narrative works and Trento "dramatic texts" as for director’s indications or scenic formats, and also the conception of spectator/reader in some of his works. A genetic edition based on the search of itineraries that go and come across the generic borders between novel and theatre presents aspects of interest to think not only this Leónidas Lamborghini's particular work but also to think all his poetical and narrative work, for the procedures and formal works of rewriting are persistent along his creation.
format Artículo
publishedVersion
Artículos revisados por pares
Artículo
publishedVersion
Artículos revisados por pares
author Repetto, Carolina Rosa
author_facet Repetto, Carolina Rosa
author_sort Repetto, Carolina Rosa
title THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_short THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_full THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_fullStr THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_full_unstemmed THE MANUSCRIPT AS A POINT OF ARRIVAL: THEATRE AND NARRATIVE BEFORE LEONIDAS LAMBORGHINI’S TRENTO
title_sort manuscript as a point of arrival: theatre and narrative before leonidas lamborghini’s trento
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2015
url https://revistas.unc.edu.ar/index.php/astrolabio/article/view/12284
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=ar/ar-001&d=article12284oai
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AT repettocarolinarosa manuscriptasapointofarrivaltheatreandnarrativebeforeleonidaslamborghinistrento
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