Epifanía y desesperanza en la obra de Álvaro Mutis
To understand writing as traveling makes possible toread Maqroll´s itinerance as a saga that inserts itselfinto the tradition of travel literature through its doubleconfiguration: as an adventure and as traveling overseasin an intertextual game with Conrad´s work, particularlywith Heart of Darkness,...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo científico |
| Publicado: |
Pontificia Universidad Javeriana
2004
|
| Materias: | |
| Acceso en línea: | http://www.redalyc.org/articulo.oa?id=79105710 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=co/co-019&d=79105710oai |
| Aporte de: |
| Sumario: | To understand writing as traveling makes possible toread Maqroll´s itinerance as a saga that inserts itselfinto the tradition of travel literature through its doubleconfiguration: as an adventure and as traveling overseasin an intertextual game with Conrad´s work, particularlywith Heart of Darkness, paradigm of the colonialliterature, and as an inner trip where writing turns itselfinto a representation to reveal the sense of errantry.The epiphany of errantry coincides with the moment inwhich the man puts in his shoulders the heavy stone inorder to conquer again the peak, as Camus understandsit in the re- reading of Sisifo´s myth. So the thread ofthe saga is the adventure, always a failure because it islived in hopelessness |
|---|