Interactive feedback on extended instruments
This project aims at exploring interactivity in networked music by exploiting innovative mapping schemes to extend common musical instruments into acoustic controllers of digital sound. The sensors used were limited to only piezo element contact microphones, as they demonstrate a simple and cheap so...
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| Autores principales: | , , |
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| Formato: | article Artículo |
| Lenguaje: | Inglés |
| Publicado: |
Universidad Icesi
2012
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| Materias: | |
| Acceso en línea: | http://hdl.handle.net/10906/67989 http://www.icesi.edu.co/revistas/index.php/sistemas_telematica/article/view/1269 http://biblioteca2.icesi.edu.co/cgi-olib/?infile=details.glu&loid=250746 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=co/co-008&d=1090667989oai |
| Aporte de: |
| Sumario: | This project aims at exploring interactivity in networked
music by exploiting innovative mapping schemes to
extend common musical instruments into acoustic
controllers of digital sound. The sensors used were
limited to only piezo element contact microphones, as
they demonstrate a simple and cheap solution to retrieve
an acoustic signal free of most environmental noise and
crosstalk. The main idea was to employ the feedback that
results from processing a particular system as a control
signal, in a way that allows interaction with different
musical systems by means of network communication.
Another goal was to preserve the traditional techniques
in which casual musicians play their instruments, so as
to minimize the learning process that the creation of
new interfaces require, and maximize the usability of
the instruments' extensions. The extension itself is both
reactive and transformative. We chose to extend the guitar
and a djembe, as an example of a common ensemble of
music in casual social contexts. |
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