Dias Gomes, Ferreira Gullar y João das Neves: scene, dramaturgy, and Political Engagement in Brasil after1964
In post-1964 Brazil, different staging and themes challenged the rigid censorship. Dr. Getúlio, by Dias Gomes and Ferreira Gullar, 1968, and O último carro (The last carriage), by João das Neves, 1977, mix music, politically engaged dramaturgy, and staging. As they aim to...
Guardado en:
| Autor principal: | Paranhos, Kátia |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
ISHiR/CONICET
2021
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| Materias: | |
| Acceso en línea: | https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1325 |
| Aporte de: |
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