Dias Gomes, Ferreira Gullar y João das Neves: scene, dramaturgy, and Political Engagement in Brasil after1964

In post-1964 Brazil, different staging and themes challenged the rigid censorship. Dr. Getúlio, by Dias Gomes and Ferreira Gullar, 1968, and O último carro (The last carriage), by João das Neves, 1977, mix music, politically engaged dramaturgy, and staging. As they aim to...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Paranhos, Kátia
Formato: Artículo revista
Lenguaje:Español
Publicado: ISHiR/CONICET 2021
Materias:
Brasil
dramaturgia
puesta en escena
teatro político
música
Brazil
dramaturgy
scene
political theater
music
Acceso en línea:https://web3.rosario-conicet.gov.ar/ojs/index.php/revistaISHIR/article/view/1325
Aporte de:
Revista Estudios del ISHIR (CONICET) de Universidad Nacional de Rosario
Descripción
Sumario:In post-1964 Brazil, different staging and themes challenged the rigid censorship. Dr. Getúlio, by Dias Gomes and Ferreira Gullar, 1968, and O último carro (The last carriage), by João das Neves, 1977, mix music, politically engaged dramaturgy, and staging. As they aim to achieve both art and political engagement, playwrights and directors bring to stage a samba school and an outskirts train.

Ejemplares similares