Postautonomous photographs of Gabriela Liffschitz: challenge to genres and identity scripts
This article proposes a reading about Gabriela Liffschitz's photography book Recursos Humanos (Human Resources) as a work that questions the gender category, both in relation to sexuality and in relation to art. Of particular interest in this analysis is the way in which images, which question...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Facultad de Humanidades y Artes. UNR
2019
|
| Materias: | |
| Acceso en línea: | https://zonafranca.unr.edu.ar/index.php/ZonaFranca/article/view/111 |
| Aporte de: |
| Sumario: | This article proposes a reading about Gabriela Liffschitz's photography book Recursos Humanos (Human Resources) as a work that questions the gender category, both in relation to sexuality and in relation to art. Of particular interest in this analysis is the way in which images, which question the autonomy of the artistic field, explore the femininity, beauty and sexuality of a body that is ill. The result of this artistic exploration is a powerful work that manages to express the disease outside the dominant representations and that, in this way, becomes a deep inquiry into the staging of the body as a space of a female sensuality that exploits predetermined identity scripts. |
|---|