Ese grito durará más que el pecado:: Memoria, violencia y anacronismo en la novela El farmer de Andrés Rivera
The Andres Rivera’s novel The farmer (1996) is built as a fiction of the memory, through the narrator evocations, which is a fictionalization of Juan Manuel de Rosas during his exile. In some episodes, which appear marked by the violence of the past, emerges what Didi-Huberman, Rancière and others h...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Escuela de Letras
2020
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| Acceso en línea: | https://sagarevistadeletras.unr.edu.ar/index.php/revista/article/view/75 |
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| Sumario: | The Andres Rivera’s novel The farmer (1996) is built as a fiction of the memory, through the narrator evocations, which is a fictionalization of Juan Manuel de Rosas during his exile. In some episodes, which appear marked by the violence of the past, emerges what Didi-Huberman, Rancière and others have called anachronism: fractures in temporal causality, jumps and reminiscences between heterogeneous times. The objective of this article will be to think over these anachronistic irruptions in the evocation of violence, in three central moments of the novel in which the scream, explicit as a form of language, refers to other episodes of equal tenor in argentine history: wars, killings, executions, genocides; shocks. |
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