La curación al filo de una navaja. Proyecciones del juicio en le spleen de Paris
In dialogue with a previous work where we studied the incidence of the editorial, media and legal regime post 1830 in the constitution of Les Fleurs du mal, this article examines the effects of the trial and censorship of 1857 in two texts of the Spleen de Paris, “A Arsène Houssaye” (1862) and “Made...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Escuela de Letras
2020
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| Acceso en línea: | https://sagarevistadeletras.unr.edu.ar/index.php/revista/article/view/31 |
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| Sumario: | In dialogue with a previous work where we studied the incidence of the editorial, media and legal regime post 1830 in the constitution of Les Fleurs du mal, this article examines the effects of the trial and censorship of 1857 in two texts of the Spleen de Paris, “A Arsène Houssaye” (1862) and “Mademoiselle Bistouri” (1867). |
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