Re-trazar el Haiku
The present paper studies the materiality of the Japanese haiku in the early 20th century. After giving a general overview of haiku studies in the West, it presents a theoretical-analytical category to address the Japanese haiku: re-trace. Through Jacques Derrida’s notion of deconstruction and explo...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional de Rosario. Facultad de Humanidades y Artes. Escuela de Letras
2020
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| Acceso en línea: | https://sagarevistadeletras.unr.edu.ar/index.php/revista/article/view/11 |
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| Sumario: | The present paper studies the materiality of the Japanese haiku in the early 20th century. After giving a general overview of haiku studies in the West, it presents a theoretical-analytical category to address the Japanese haiku: re-trace. Through Jacques Derrida’s notion of deconstruction and exploring the problem of translation in this context, re-trace is configured as a practice placed between translation and critical studies concerning haikus. To make use of this category, some of the haikus of a characteristic poet of the period, Taneda Santōka, will be examined |
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