Dramaturgical work for the mise en sense. Two cases in the Argentine Contemporary Theatre of Cordoba
In this paper we analyze stagings by Argentine directors from the city of Cordoba: by Gonzalo Marull’s play Clase, written by Guillermo Calderón, and Daniela Martín’s Recetaria. Estados en ebullición, a collective dramaturgy. The purpose of the work is to analyze the directorial practices in the pro...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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CETYCLI
2024
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| Acceso en línea: | https://badebec.unr.edu.ar/index.php/badebec/article/view/631 |
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| Sumario: | In this paper we analyze stagings by Argentine directors from the city of Cordoba: by Gonzalo Marull’s play Clase, written by Guillermo Calderón, and Daniela Martín’s Recetaria. Estados en ebullición, a collective dramaturgy. The purpose of the work is to analyze the directorial practices in the processes of creation and the conceptions that lead their activities. The particularity of the cases lies, for the former, in the presence of dramatic text at the beginning of the process and, for the latter, in the very absence of a fixed writing. Both proposal can be understood under Peter Boenisch’s concept of mise en sens or mise en dissensual sense. |
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