The sentimental, the massive, the rebellious: the poetesses and the public in post-centenary Argentina

Between 1918 and 1921, five books were published in Argentina that are essential to think about the relationship between poetry, gender and market during the first decades of the 20th century. To the classics El dulce daño (1918), Irremediablemente (1919) and Languidez (1920), which made Alfonsina S...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Vicens, María
Formato: Artículo revista
Lenguaje:Español
Publicado: CETYCLI 2023
Materias:
Alfonsina Storni
Juana de Ibarbourou
Sentimentalismo
Mercado Editorial
Sexualidad
Sentimentalism
Publishing Market
Sexuality
Acceso en línea:https://badebec.unr.edu.ar/index.php/badebec/article/view/614
Aporte de:
Badebec de Universidad Nacional de Rosario
id I15-R206-article-614
record_format ojs
spelling I15-R206-article-6142023-11-01T20:47:43Z The sentimental, the massive, the rebellious: the poetesses and the public in post-centenary Argentina Lo sentimental, lo masivo, lo rebelde: las poetisas y el público en la Argentina del poscentenario Vicens, María Alfonsina Storni Juana de Ibarbourou Sentimentalismo Mercado Editorial Sexualidad Alfonsina Storni Juana de Ibarbourou Sentimentalism Publishing Market Sexuality Between 1918 and 1921, five books were published in Argentina that are essential to think about the relationship between poetry, gender and market during the first decades of the 20th century. To the classics El dulce daño (1918), Irremediablemente (1919) and Languidez (1920), which made Alfonsina Storni a popular author, we can add Las lenguas de diamante (1918) and Raíz salvaje (1921), by Juana by Ibarbourou. All of them explore the conformation of an emerging feminine subjectivity that intersects sentimentality, sexuality and modernity through a deviant use of late-modernist rhetoric. It was this junction, precisely, the point of intersection that allowed them to connect with the public in a way unknown until then, massive and rebellious at the same time. This article addresses this link and the coordinates from which these writers found a new mode of female authorship, which not only reformulated the images and expectations that circulated about women authors of the time, but also the public spaces where they participated, the scope of their writings and their general relationship with the literary field. Entre 1918 y 1921 se publican cinco libros fundamentales para pensar la relación entre poesía, género y mercado en la Argentina de las primeras décadas del siglo XX. A los clásicos El dulce daño (1918), Irremediablemente (1919) y Languidez (1920), que convirtieron a Alfonsina Storni en una autora popular, pueden sumarse Las lenguas de diamante (1918) y Raíz salvaje (1921), de Juana de Ibarbourou. Todos ellos indagan en la conformación de una subjetividad femenina emergente que entrecruza sentimentalismo, sexualidad y modernidad a partir de un uso desviado de la retórica tardo-modernista. Fue este cruce el punto de intersección que les permitió conectar con el público de un modo desconocido hasta entonces, masivo y rebelde al mismo tiempo. Este artículo aborda ese vínculo y las coordenadas a partir de las cuales ambas escritoras encontraron un nuevo modo de la autoría femenina, que no solo reformuló las imágenes y expectativas que circulaban sobre las mujeres autoras de la época, sino también sus espacios de intervención, el alcance de sus escritos y su relación con el campo literario en general. CETYCLI 2023-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://badebec.unr.edu.ar/index.php/badebec/article/view/614 10.35305/b.v13i25.614 Badebec; Vol. 13 Núm. 25 (2023): Septiembre (2023); 100-125 1853-9580 spa https://badebec.unr.edu.ar/index.php/badebec/article/view/614/554
institution Universidad Nacional de Rosario
institution_str I-15
repository_str R-206
container_title_str Badebec
language Español
format Artículo revista
topic Alfonsina Storni
Juana de Ibarbourou
Sentimentalismo
Mercado Editorial
Sexualidad
Alfonsina Storni
Juana de Ibarbourou
Sentimentalism
Publishing Market
Sexuality
spellingShingle Alfonsina Storni
Juana de Ibarbourou
Sentimentalismo
Mercado Editorial
Sexualidad
Alfonsina Storni
Juana de Ibarbourou
Sentimentalism
Publishing Market
Sexuality
Vicens, María
The sentimental, the massive, the rebellious: the poetesses and the public in post-centenary Argentina
topic_facet Alfonsina Storni
Juana de Ibarbourou
Sentimentalismo
Mercado Editorial
Sexualidad
Alfonsina Storni
Juana de Ibarbourou
Sentimentalism
Publishing Market
Sexuality
author Vicens, María
author_facet Vicens, María
author_sort Vicens, María
title The sentimental, the massive, the rebellious: the poetesses and the public in post-centenary Argentina
title_short The sentimental, the massive, the rebellious: the poetesses and the public in post-centenary Argentina
title_full The sentimental, the massive, the rebellious: the poetesses and the public in post-centenary Argentina
title_fullStr The sentimental, the massive, the rebellious: the poetesses and the public in post-centenary Argentina
title_full_unstemmed The sentimental, the massive, the rebellious: the poetesses and the public in post-centenary Argentina
title_sort sentimental, the massive, the rebellious: the poetesses and the public in post-centenary argentina
description Between 1918 and 1921, five books were published in Argentina that are essential to think about the relationship between poetry, gender and market during the first decades of the 20th century. To the classics El dulce daño (1918), Irremediablemente (1919) and Languidez (1920), which made Alfonsina Storni a popular author, we can add Las lenguas de diamante (1918) and Raíz salvaje (1921), by Juana by Ibarbourou. All of them explore the conformation of an emerging feminine subjectivity that intersects sentimentality, sexuality and modernity through a deviant use of late-modernist rhetoric. It was this junction, precisely, the point of intersection that allowed them to connect with the public in a way unknown until then, massive and rebellious at the same time. This article addresses this link and the coordinates from which these writers found a new mode of female authorship, which not only reformulated the images and expectations that circulated about women authors of the time, but also the public spaces where they participated, the scope of their writings and their general relationship with the literary field.
publisher CETYCLI
publishDate 2023
url https://badebec.unr.edu.ar/index.php/badebec/article/view/614
work_keys_str_mv AT vicensmaria thesentimentalthemassivetherebelliousthepoetessesandthepublicinpostcentenaryargentina
AT vicensmaria losentimentallomasivolorebeldelaspoetisasyelpublicoenlaargentinadelposcentenario
AT vicensmaria sentimentalthemassivetherebelliousthepoetessesandthepublicinpostcentenaryargentina
first_indexed 2024-08-12T21:41:52Z
last_indexed 2024-08-12T21:41:52Z
_version_ 1807219595409358848

Ejemplares similares