Cultural criticism and the baroque void: review of recent studies around Literal
In the following article we propose to carry out a review of recent critical studies on the Literal magazine (1973-1977). It is a complex cultural object: due to its position in the literary field, it is thought in connection with Martín Fierro (1924-1927) and in tension with Contorno (1953-1959), a...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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CETYCLI
2022
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| Acceso en línea: | https://badebec.unr.edu.ar/index.php/badebec/article/view/564 |
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| Sumario: | In the following article we propose to carry out a review of recent critical studies on the Literal magazine (1973-1977). It is a complex cultural object: due to its position in the literary field, it is thought in connection with Martín Fierro (1924-1927) and in tension with Contorno (1953-1959), at the same time that it constitutes an attempt to reinvent criticism in a singular area of intersections and mixtures between theory and criticism, literature and politics. The review of recent studies requires making a cut, that is, replacing the most relevant contributions of each work to give way to the following corollary: a series of significants orbit around a void —or element disregarded in the analysis—, that is, the constitution of a transhistorical baroque ethics and aesthetics that crosses certain writings of the continent and actualize the alternative canon of Literal. |
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