El poema y el palacio
This article seeks to read in parallel two of Le Corbusier’s works: Poéme de l'Angle Droit, a poetic and figurative work, and, Palace of the Governor in Chandigarh, an architectural project which was not carried out. The latter shows a series of specific compositional analogies. Beyond the coin...
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| Lenguaje: | Español |
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Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario
2018
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| Acceso en línea: | https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/105 |
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I15-R196-article-1052019-10-08T11:18:26Z El poema y el palacio Poem and palace Scavuzzo, Giuseppina Le Corbusier poetic/architectural composition Chandigarh symbolism Le Corbusier composición poético-arquitectónica Chandigarh simbolismo This article seeks to read in parallel two of Le Corbusier’s works: Poéme de l'Angle Droit, a poetic and figurative work, and, Palace of the Governor in Chandigarh, an architectural project which was not carried out. The latter shows a series of specific compositional analogies. Beyond the coincidences and even formal similarities, both works seem to highlight the same poetic strategy: the cryptic and iconic poetics which also characterizes the paintings of Le Corbusier after World War II; it has to do with a personal symbolic iconography. Thus, the machine à habiter of his architecture becomes a symbolic machine, i.e., although it is intended to be a functional device consistent with geographic and climatic data as well as a technical-constructive approach, its ultimate aim is to relate forms, shapes and meanings in order to translate the expression of a poetic thinking into the interpretation of community values. Este artículo propone una lectura en paralelo de dos obras de Le Corbusier, el Poéme de l’Angle Droit, obra poética y figurativa, y el Palacio del Gobernador en Chandigarh, proyecto arquitectónico no realizado, evidenciando una serie de similitudes compositivas específicas. Más allá de las coincidencias y similitudes formales, las dos obras parecen revelar fundamentalmente la misma estrategia poética: es esta poética enigmática e icónica, que también caracteriza a las pinturas de Le Corbusier después de la Segunda Guerra Mundial, la que remite a una iconografía simbólica personal. Su arquitectura, de machine à habiter parece pasar a ser más bien máquina simbólica: un dispositivo funcional para el habitar, de acuerdo con los datos geográficos y climáticos, coherente desde el punto de vista técnico-constructivo, pero cuya aspiración es construir relaciones entre formas, figuras y significados, haciendo de la expresión de un pensamiento poético una interpretación de los valores colectivos. Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario 2018-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/105 10.35305/23626097v5i8.105 A&P Continuidad; Vol. 5 Núm. 8 (2018): ARQUITECTURA Y MAESTROS: REVISITANDO A LE CORBUSIER; 74-89 2362-6097 2362-6089 spa https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/105/71 https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/105/79 Derechos de autor 2018 A&P Continuidad https://creativecommons.org/licenses/by-nc-sa/4.0/ |
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Universidad Nacional de Rosario |
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I-15 |
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R-196 |
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A&P Continuidad |
| language |
Español |
| format |
Artículo revista |
| topic |
Le Corbusier poetic/architectural composition Chandigarh symbolism Le Corbusier composición poético-arquitectónica Chandigarh simbolismo |
| spellingShingle |
Le Corbusier poetic/architectural composition Chandigarh symbolism Le Corbusier composición poético-arquitectónica Chandigarh simbolismo Scavuzzo, Giuseppina El poema y el palacio |
| topic_facet |
Le Corbusier poetic/architectural composition Chandigarh symbolism Le Corbusier composición poético-arquitectónica Chandigarh simbolismo |
| author |
Scavuzzo, Giuseppina |
| author_facet |
Scavuzzo, Giuseppina |
| author_sort |
Scavuzzo, Giuseppina |
| title |
El poema y el palacio |
| title_short |
El poema y el palacio |
| title_full |
El poema y el palacio |
| title_fullStr |
El poema y el palacio |
| title_full_unstemmed |
El poema y el palacio |
| title_sort |
el poema y el palacio |
| description |
This article seeks to read in parallel two of Le Corbusier’s works: Poéme de l'Angle Droit, a poetic and figurative work, and, Palace of the Governor in Chandigarh, an architectural project which was not carried out. The latter shows a series of specific compositional analogies. Beyond the coincidences and even formal similarities, both works seem to highlight the same poetic strategy: the cryptic and iconic poetics which also characterizes the paintings of Le Corbusier after World War II; it has to do with a personal symbolic iconography. Thus, the machine à habiter of his architecture becomes a symbolic machine, i.e., although it is intended to be a functional device consistent with geographic and climatic data as well as a technical-constructive approach, its ultimate aim is to relate forms, shapes and meanings in order to translate the expression of a poetic thinking into the interpretation of community values. |
| publisher |
Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario |
| publishDate |
2018 |
| url |
https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/105 |
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AT scavuzzogiuseppina elpoemayelpalacio AT scavuzzogiuseppina poemandpalace |
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2023-05-11T18:37:57Z |
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2023-05-11T18:37:57Z |
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