El poema y el palacio
This article seeks to read in parallel two of Le Corbusier’s works: Poéme de l'Angle Droit, a poetic and figurative work, and, Palace of the Governor in Chandigarh, an architectural project which was not carried out. The latter shows a series of specific compositional analogies. Beyond the coin...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Arquitectura, Planeamiento y Diseño | Universidad Nacional de Rosario
2018
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| Acceso en línea: | https://www.ayp.fapyd.unr.edu.ar/index.php/ayp/article/view/105 |
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| Sumario: | This article seeks to read in parallel two of Le Corbusier’s works: Poéme de l'Angle Droit, a poetic and figurative work, and, Palace of the Governor in Chandigarh, an architectural project which was not carried out. The latter shows a series of specific compositional analogies. Beyond the coincidences and even formal similarities, both works seem to highlight the same poetic strategy: the cryptic and iconic poetics which also characterizes the paintings of Le Corbusier after World War II; it has to do with a personal symbolic iconography. Thus, the machine à habiter of his architecture becomes a symbolic machine, i.e., although it is intended to be a functional device consistent with geographic and climatic data as well as a technical-constructive approach, its ultimate aim is to relate forms, shapes and meanings in order to translate the expression of a poetic thinking into the interpretation of community values. |
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