Elements of Classical Greece in the work of Federico García Lorca

An aspect very little reviewed by Lorca’s critics has to do with the traces in his writing of his great literary training (influence admitted in his own critical and metapoetical work). Some of the readings that show the greatest amount of resonances in Lorca´s work can be grouped into what we call...

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Autor principal: Brignone, Germán
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2019
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2387
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institution Universidad Nacional de Cuyo
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repository_str R-103
container_title_str Boletín GEC
language Español
format Artículo revista
topic huellas
clásicos
García Lorca
filosofía
traces
classics
García Lorca
philosophy
spellingShingle huellas
clásicos
García Lorca
filosofía
traces
classics
García Lorca
philosophy
Brignone, Germán
Elements of Classical Greece in the work of Federico García Lorca
topic_facet huellas
clásicos
García Lorca
filosofía
traces
classics
García Lorca
philosophy
author Brignone, Germán
author_facet Brignone, Germán
author_sort Brignone, Germán
title Elements of Classical Greece in the work of Federico García Lorca
title_short Elements of Classical Greece in the work of Federico García Lorca
title_full Elements of Classical Greece in the work of Federico García Lorca
title_fullStr Elements of Classical Greece in the work of Federico García Lorca
title_full_unstemmed Elements of Classical Greece in the work of Federico García Lorca
title_sort elements of classical greece in the work of federico garcía lorca
description An aspect very little reviewed by Lorca’s critics has to do with the traces in his writing of his great literary training (influence admitted in his own critical and metapoetical work). Some of the readings that show the greatest amount of resonances in Lorca´s work can be grouped into what we call classical Greek culture, and range from precepts or philosophical ideas (ranging from presocratics to Socrates himself and his entire school) to certain mythological or dramatic figures and concepts. The three cases that we present as exemplary topics are the transience of time, the use of the fire element and its relation to the postulates of Heraclitus, and the effective antecedents of the goblin in the Socrates daimon. These elements may also be susceptible to comparisons.
publisher Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
publishDate 2019
url https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2387
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