"Fortuitous love" radiated from El público towards the so-called rural tragedies Yerma and Doña Rosita la soltera

This paper studies Lorca’s work facing the problems set out by the canon and its disobediences. We stand on the peculiarity of the aesthetic enunciation of fortuitous love in his impossible surrealist comedy El público, which allows to re-read some of his most famous texts with the intention of trac...

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Autor principal: Gómez, Ariana Lucía
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2019
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2288
Aporte de:B de Universidad Nacional de Cuyo Ver origen
id I11-R103article-2288
record_format ojs
spelling I11-R103article-22882019-12-15T18:05:07Z "Fortuitous love" radiated from El público towards the so-called rural tragedies Yerma and Doña Rosita la soltera El "amor casual" irradiado desde El público hacia las llamadas tragedias rurales: Yerma y Doña Rosita la soltera Gómez, Ariana Lucía Federico García Lorca teatro español amor casual pansexualismo crítica queer Federico García Lorca Spanish theatre fortuitous love pansexualism queer criticism This paper studies Lorca’s work facing the problems set out by the canon and its disobediences. We stand on the peculiarity of the aesthetic enunciation of fortuitous love in his impossible surrealist comedy El público, which allows to re-read some of his most famous texts with the intention of tracking the footprints of this topic. In Yerma and Doña Rosita la soltera the discourse on fortuitous love is not evident, but remains in deep textual strata which have not been studed this way. We will focus on the ideas of pansexualism and transgender that articulates nowadays with the awareness of the diversity and the queer universe, so difficult for critics and audiences in the years between the belated appearance of this material and our critical present. Este trabajo estudia los problemas que plantea la obra de Lorca en relación con el canon y sus desobediencias. Nos detendremos en la particularidad de la enunciación estética del amor casual en su comedia surrealista imposible El público, a partir de la cual es posible releer algunos de sus textos más famosos con la intención de rastrear las huellas de ese tópico. Tanto en Yerma como en Doña Rosita la soltera el discurso del amor casual se desactiva como evidente, pero permanece en aspectos profundos que no han sido aún tratados así. Nos centraremos en una idea de pansexualismo y transgénero que se articula en el presente con la conciencia de las diversidades y el universo queer y que tan difícil se le hizo a la crítica y al público en los años que mediaron entre la aparición tardía de este material y nuestro presente crítico. Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2019-12-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2288 Boletín GEC; Núm. 24 (2019): Prácticas críticas alrededor de Lorca; 80-95 2618-334X 1515-6117 spa https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2288/1922
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-103
container_title_str Boletín GEC
language Español
format Artículo revista
topic Federico García Lorca
teatro español
amor casual
pansexualismo
crítica queer
Federico García Lorca
Spanish theatre
fortuitous love
pansexualism
queer criticism
spellingShingle Federico García Lorca
teatro español
amor casual
pansexualismo
crítica queer
Federico García Lorca
Spanish theatre
fortuitous love
pansexualism
queer criticism
Gómez, Ariana Lucía
"Fortuitous love" radiated from El público towards the so-called rural tragedies Yerma and Doña Rosita la soltera
topic_facet Federico García Lorca
teatro español
amor casual
pansexualismo
crítica queer
Federico García Lorca
Spanish theatre
fortuitous love
pansexualism
queer criticism
author Gómez, Ariana Lucía
author_facet Gómez, Ariana Lucía
author_sort Gómez, Ariana Lucía
title "Fortuitous love" radiated from El público towards the so-called rural tragedies Yerma and Doña Rosita la soltera
title_short "Fortuitous love" radiated from El público towards the so-called rural tragedies Yerma and Doña Rosita la soltera
title_full "Fortuitous love" radiated from El público towards the so-called rural tragedies Yerma and Doña Rosita la soltera
title_fullStr "Fortuitous love" radiated from El público towards the so-called rural tragedies Yerma and Doña Rosita la soltera
title_full_unstemmed "Fortuitous love" radiated from El público towards the so-called rural tragedies Yerma and Doña Rosita la soltera
title_sort "fortuitous love" radiated from el público towards the so-called rural tragediesâ yermaâ andâ doña rosita la soltera
description This paper studies Lorca’s work facing the problems set out by the canon and its disobediences. We stand on the peculiarity of the aesthetic enunciation of fortuitous love in his impossible surrealist comedy El público, which allows to re-read some of his most famous texts with the intention of tracking the footprints of this topic. In Yerma and Doña Rosita la soltera the discourse on fortuitous love is not evident, but remains in deep textual strata which have not been studed this way. We will focus on the ideas of pansexualism and transgender that articulates nowadays with the awareness of the diversity and the queer universe, so difficult for critics and audiences in the years between the belated appearance of this material and our critical present.
publisher Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
publishDate 2019
url https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2288
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