Seven notes about El arte de la fuga by Luis Sagasti

A notable feature of Luis Sagasti’s poetics is the relationship between non-verbal arts and literature. The dialogues between music, painting, and literature, which are a constant in his writing, are formalized more clearly in the construction of the aesthetic object book-musical cd El arte de la fu...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Pinardi, Carolina
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2018
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/1329
Aporte de:
id I11-R103article-1329
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-103
container_title_str Boletín GEC
language Español
format Artículo revista
topic literatura infanto-juvenil
artes no verbales
diálogos inter-artísticos
infant-juvenile literature
non-verbal arts
inter-artistic dialogues
spellingShingle literatura infanto-juvenil
artes no verbales
diálogos inter-artísticos
infant-juvenile literature
non-verbal arts
inter-artistic dialogues
Pinardi, Carolina
Seven notes about El arte de la fuga by Luis Sagasti
topic_facet literatura infanto-juvenil
artes no verbales
diálogos inter-artísticos
infant-juvenile literature
non-verbal arts
inter-artistic dialogues
author Pinardi, Carolina
author_facet Pinardi, Carolina
author_sort Pinardi, Carolina
title Seven notes about El arte de la fuga by Luis Sagasti
title_short Seven notes about El arte de la fuga by Luis Sagasti
title_full Seven notes about El arte de la fuga by Luis Sagasti
title_fullStr Seven notes about El arte de la fuga by Luis Sagasti
title_full_unstemmed Seven notes about El arte de la fuga by Luis Sagasti
title_sort seven notes about el arte de la fuga by luis sagasti
description A notable feature of Luis Sagasti’s poetics is the relationship between non-verbal arts and literature. The dialogues between music, painting, and literature, which are a constant in his writing, are formalized more clearly in the construction of the aesthetic object book-musical cd El arte de la fuga (2016), with illustrations by Ana Sanz Durán and music by Nico Cota of Editorial Treintayseis. The story of the characters, musical figures who decide to escape from the pentagram, is narrated through different languages that establish multiple relationships among themselves. In this article, we aim to explore from some notes the aesthetic proposal of the book that is constructed as a metafictional device, insofar as it challenges the reader by calling attention to its mode of construction.
publisher Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
publishDate 2018
url https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/1329
work_keys_str_mv AT pinardicarolina sevennotesaboutelartedelafugabyluissagasti
AT pinardicarolina sietenotasapropositodeelartedelafugadeluissagasti
first_indexed 2022-06-20T13:38:18Z
last_indexed 2022-06-20T13:38:18Z
bdutipo_str Revistas
_version_ 1764819784838414338