Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)

Understanding the current museum as a memory device, full of content with a key role in the transmission of cultural heritage, enables us to analyze the story on contemporary art in Mendoza which places museums as the institutions which spread the so needed cultural memory of a community. In this sp...

Descripción completa

Detalles Bibliográficos
Autor principal: Rosario Zavala, María del Rosario
Formato: Artículo revista
Lenguaje:Español
Publicado: Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo 2018
Materias:
Art
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1477
Aporte de:C de Universidad Nacional de Cuyo Ver origen
id I11-R101article-1477
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-101
container_title_str CUADERNOS DE HISTORIA DEL ARTE
language Español
format Artículo revista
topic Arte
Sociología
Memoria
Postdictadura
Art
Sociology
Memoris
spellingShingle Arte
Sociología
Memoria
Postdictadura
Art
Sociology
Memoris
Rosario Zavala, María del Rosario
Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)
topic_facet Arte
Sociología
Memoria
Postdictadura
Art
Sociology
Memoris
author Rosario Zavala, María del Rosario
author_facet Rosario Zavala, María del Rosario
author_sort Rosario Zavala, María del Rosario
title Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)
title_short Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)
title_full Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)
title_fullStr Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)
title_full_unstemmed Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001)
title_sort advances and strategies for a sociological analysis of contemporary art mendocino. el corpus: the annual programming of mendoza art museums (1983-2001)
description Understanding the current museum as a memory device, full of content with a key role in the transmission of cultural heritage, enables us to analyze the story on contemporary art in Mendoza which places museums as the institutions which spread the so needed cultural memory of a community. In this sphere, based on studies on art and society, we seek to establish some strategies to argue about the links between art and memory management from post-dictatorship Mendoza (1983-2001). Our work moves towards building a particular sociological perspective of art, based on social theory and artistic practices in context, adopting approaches to address a complex problem. Our object of study is the link between the management of cultural memory and the management of art during the period following the dictatorship (1983-2001), and its impact on the annual program of the art institutes in Mendoza. In this sense, understanding that artistic practices are developed in a world of art (Becker, 1974, 2008) as a variable and flexible cooperative network, we make a thorough description of the annual activities in art museums of Mendoza in the period 1983-2001, to come to conclusions regarding the construction of cultural memory through museums. Thus, we try to show some of our doctoral research axes: "Art museums of Mendoza in the construction of a necessary cultural memory (19832001)". In search of a critical perspective, we suggest some definitions regarding an analysis strategy (model) for our aim "”scheduling activities, through a shift from the models of artwork analysis towards these schedules to observe the possible constraints of museum management at the stage of post-dictatorship.
publisher Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
publishDate 2018
url https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1477
work_keys_str_mv AT rosariozavalamariadelrosario advancesandstrategiesforasociologicalanalysisofcontemporaryartmendocinoelcorpustheannualprogrammingofmendozaartmuseums19832001
AT rosariozavalamariadelrosario avancesyestrategiasparaunanalisissociologicodeartecontemporaneomendocinoelcorpuslaprogramacionanualdelosmuseosdeartedemendoza19832001
AT rosariozavalamariadelrosario avancoseestrategiasparaumaanalisesociologicadaartecontemporaneamendocinoelcorpusaprogramacaoanualdosmuseusdeartedemendoza19832001
first_indexed 2022-06-20T13:35:56Z
last_indexed 2022-06-20T13:35:56Z
_version_ 1736161001635577856
spelling I11-R101article-14772020-12-02T13:26:42Z Advances and strategies for a sociological analysis of contemporary art mendocino. El corpus: the annual programming of Mendoza art museums (1983-2001) Avances y estrategias para un análisis sociológico de arte contemporáneo mendocino. El corpus: la programación anual de los museos de arte de Mendoza (1983-2001) Avanços e estratégias para uma análise sociológica da arte contemporânea mendocino. El corpus: a programação anual dos museus de arte de Mendoza (1983-2001) Rosario Zavala, María del Rosario Arte Sociología Memoria Postdictadura Art Sociology Memoris Understanding the current museum as a memory device, full of content with a key role in the transmission of cultural heritage, enables us to analyze the story on contemporary art in Mendoza which places museums as the institutions which spread the so needed cultural memory of a community. In this sphere, based on studies on art and society, we seek to establish some strategies to argue about the links between art and memory management from post-dictatorship Mendoza (1983-2001). Our work moves towards building a particular sociological perspective of art, based on social theory and artistic practices in context, adopting approaches to address a complex problem. Our object of study is the link between the management of cultural memory and the management of art during the period following the dictatorship (1983-2001), and its impact on the annual program of the art institutes in Mendoza. In this sense, understanding that artistic practices are developed in a world of art (Becker, 1974, 2008) as a variable and flexible cooperative network, we make a thorough description of the annual activities in art museums of Mendoza in the period 1983-2001, to come to conclusions regarding the construction of cultural memory through museums. Thus, we try to show some of our doctoral research axes: "Art museums of Mendoza in the construction of a necessary cultural memory (19832001)". In search of a critical perspective, we suggest some definitions regarding an analysis strategy (model) for our aim "”scheduling activities, through a shift from the models of artwork analysis towards these schedules to observe the possible constraints of museum management at the stage of post-dictatorship. Comprender al museo actual como un dispositivo de la memoria, de contenidos en testimonios materiales con un rol clave en la transmisión de la herencia cultural, nos posibilita analizar el relato sobre el arte mendocino contemporáneo que pone en escena esta institución desde la idea de comunicar la memoria cultural necesaria. Con esta comunicación. a partir de los estudios sobre arte y sociedad, se busca establecer algunas estrategias para problematizar los vínculos entre gestiones de arte y gestiones de memoria en la postdictadura mendocina (1983-2001). Nuestro trabajo se orienta hacia la construcción de una perspectiva sociológica del arte propia, fundamentada desde la teoría social y las prácticas artísticas en contexto, adoptando enfoques que permitan abordar una problemática compleja. Tomamos como objeto de estudio la vinculación entre las gestiones de memoria cultural y las gestiones del arte en la etapa de postdictadura (1983-2001), y su incidencia en el Programa anual de las instituciones museo de arte de Mendoza(M.P.B.A.E.G.–C.F. y M.M.A.M.M). En este sentido, a partir de comprender que las prácticas artísticas se desarrollan en un mundo del arte (Becker, 1974, 2008), como una red cooperativa variable y flexible, la propuesta es realizar una descripción densa de la trayectoria de la Programación anual de actividades de los museos de arte de Mendoza en el periodo 1983-2001, para lograr algunas reflexiones sobre la construcción de la memoria cultural necesaria a través de lamusealidad.En esta participación intentamos adelantar algunos ejes de nuestra investigación doctoral: "Los museos de arte de Mendoza en la construcción de una memoria cultural necesaria (1983-2001)". En la búsqueda de una perspectiva crítica proponemos algunas definiciones respecto a una estrategia (modelo) de análisis para nuestro objeto, la programación de actividades, a través de un desplazamiento desde los modelos de análisis de obra a estas programaciones, para observar los posibles condicionamientos de la gestión museística en la etapa de postdictadura. Compreender ao museu atual como um dispositivo da memória, de conteúdos em depoimentos materiais com um rol chave na transmissão da herança cultural, possibilita-nos a analisar o relato sobre a arte mendocina contemporânea, que põe em cena esta instituição desde a ideia de comunicar a memória cultural necessária. Com esta comunicação a partir dos estudos sobre arte e sociedade,busca-se estabelecer algumas estratégias para problematizar osvínculos gestões de arte e gestões de memória na pós-ditaduramendocina (1983-2001). Nosso trabalho orienta-se à construção de uma perspectiva sociológica da arte própria, fundamentada desde a teoria social e as práticas artísticas em contexto, adotando enfoques que permitam abordar uma problemática complexa. Tomamos como objeto de estudo a vinculação entre as gestões de memória atual e as gestões da arte na etapa da pós-ditadura ()1983-2001), e sua incidência no Programa anual das instituições museu de arte de Mendoza (M.P.B.A.E.G.–C.F. e M.M.A.M.M). Neste sentido, a partir de compreender que as práticas artísticas desenvolvem-se em um mundo da arte (Becker, 1974, 2008), como uma rede cooperativa variável e flexível, a proposta é realizar uma descrição densa da trajetória da Programação anual de atividades dos museus de arte de Mendoza no período 1983 – 2001, para lograr algumas reflexões sobre a construção da memória cultural necessária através da museologia. Nesta participação tentamos adiantar alguns eixos de nossa investigação doutoral: "Os museus de arte de Mendoza de uma memória cultural necessária (1983-2001)" Na busca de uma perspectiva crítica propomos algumas definições respeito a uma estratégia (modelo) de análise para nosso objeto, a programação de atividades, através de um deslocamento desde os modelos de análise de obra a estas programações, para observar os possíveis condicionamentos da gestão museológica na etapa da pós-ditadura. Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo 2018-12-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares doble ciego. application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1477 Art History Notebooks; No. 30 (2018): DOSSIER: ARQUITECTURA DE MENDOZA; 207-243 CUADERNOS DE HISTORIA DEL ARTE; Núm. 30 (2018): DOSSIER: ARQUITECTURA DE MENDOZA; 207-243 2618-5555 0070-1688 spa https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1477/1005 Derechos de autor 2018 Cuadernos de Historia del Arte