Angel Guido: fusion and circle
Baroque representation from its Catholic aesthetical origins to its contemporary function as a postcolonial ideology disrupts power structures. The expanded baroque spirit proposed by D´Ors, Guido or Lezama Lima recovers non-European cultural energies and provides the vehicle needed to pursue the qu...
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Autor principal: | |
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Formato: | Artículo revista |
Lenguaje: | Español |
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Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
2018
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Materias: | |
Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1458 |
Aporte de: |
id |
I11-R101article-1458 |
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record_format |
ojs |
institution |
Universidad Nacional de Cuyo |
institution_str |
I-11 |
repository_str |
R-101 |
container_title_str |
CUADERNOS DE HISTORIA DEL ARTE |
language |
Español |
format |
Artículo revista |
topic |
Barroco Contramodernismo Arquitectura América Latina Baroque Countermodernism Architecture Latin America Contra-modernismo Arquitetura |
spellingShingle |
Barroco Contramodernismo Arquitectura América Latina Baroque Countermodernism Architecture Latin America Contra-modernismo Arquitetura Antelo, Raúl Angel Guido: fusion and circle |
topic_facet |
Barroco Contramodernismo Arquitectura América Latina Baroque Countermodernism Architecture Latin America Contra-modernismo Arquitetura |
author |
Antelo, Raúl |
author_facet |
Antelo, Raúl |
author_sort |
Antelo, Raúl |
title |
Angel Guido: fusion and circle |
title_short |
Angel Guido: fusion and circle |
title_full |
Angel Guido: fusion and circle |
title_fullStr |
Angel Guido: fusion and circle |
title_full_unstemmed |
Angel Guido: fusion and circle |
title_sort |
angel guido: fusion and circle |
description |
Baroque representation from its Catholic aesthetical origins to its contemporary function as a postcolonial ideology disrupts power structures. The expanded baroque spirit proposed by D´Ors, Guido or Lezama Lima recovers non-European cultural energies and provides the vehicle needed to pursue the question of Latin American identity and self-definition. Latin American neo-baroque, unlike international postmodernism, is countermodern. |
publisher |
Comité Editor IHA - Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo |
publishDate |
2018 |
url |
https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1458 |
work_keys_str_mv |
AT anteloraul angelguidofusionandcircle AT anteloraul angelguidolafusionelcirculo AT anteloraul angelguidoafusaoocirculo |
first_indexed |
2022-06-20T13:35:49Z |
last_indexed |
2022-06-20T13:35:49Z |
bdutipo_str |
Revistas |
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1764819784460926977 |