The uprising and its gestures. Imagination, aura and awakening as critical figurations
Based on the developments of Georges Didi-Huberman in recent years around the uprising, its gestures and the articulation between power and powerlessness, this article explores three critical figurations: imagination, aura and the dream/awakening pair. Assuming criticism as an affective attitude and...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Humanidades
2023
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/43329 |
| Aporte de: |
| Sumario: | Based on the developments of Georges Didi-Huberman in recent years around the uprising, its gestures and the articulation between power and powerlessness, this article explores three critical figurations: imagination, aura and the dream/awakening pair. Assuming criticism as an affective attitude and thought device that is instantiated in images in a perspective that owes much to Walter Benjamin, these pages will occasionally refer to the film The Commune by Peter Watkins (La Commune, Paris 1871, 2000) to anchor the inquiry into critical images with the aim of aspiring to a kind of epistemocriticism of the image. |
|---|