A tour of the denied city: digital magazines and new subjects in Havana at the beginning of the new century
Starting from the painting Ciudad negada (2016), by the plastic artist René Francisco Rodríguez, this work proposes an analysis of two digital magazines published in Havana during the first decade of the new century: Cacharro(s) (2003-2005) and 33 and 1/3 (2005-2009). The article examines the ways i...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/41364 |
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| Sumario: | Starting from the painting Ciudad negada (2016), by the plastic artist René Francisco Rodríguez, this work proposes an analysis of two digital magazines published in Havana during the first decade of the new century: Cacharro(s) (2003-2005) and 33 and 1/3 (2005-2009). The article examines the ways in which these e-zines, precursors in the field of virtual literary magazines, disrupted the conditions or rules of appearance of the subjects (Rancière, 1996, p.45), making room for the parts denied or without -Part in public life. Likewise, the analysis focuses on the strategy of “lightening” the weight of the national identity and tradition that these magazines carry out to make the figures of the common more complex, strategies that distinguish them from their predecessors on paper. |
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