Trance, healing and formal experimentalism. En el reino de los guayacundos by Dimas Arrieta Espinosa and the representation of the imaginary of the northern healers of Peru
Through drug-literary practices, Dimas Arrieta Espinosa makes visible in his work En el reino de los Guayacundos a set of compositional transformations defined as catalysts of a particular work of writing, destined to the representation of the imaginary of the healers of the north of Peru. He folds...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/35970 |
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| Sumario: | Through drug-literary practices, Dimas Arrieta Espinosa makes visible in his work En el reino de los Guayacundos a set of compositional transformations defined as catalysts of a particular work of writing, destined to the representation of the imaginary of the healers of the north of Peru. He folds the subject of the enunciation during his initiation ritual. When experimenting with disciplinary materials of various kinds, the fiction draws attention to the formal interference that the thematization of the ingestion of the San Pedro cactus has and therefore the state of trance as an instance of rewriting the theoretical assumptions linked to literary realism as well as the notions of health and disease of the medical discourse. |
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