The Gaze in The Secret of Rembrandt by María Teresa Andruetto
Maria Teresa Andruetto's writing seems to be based on a particular way of gazing, which contributes to one of the most prominent stylistic features of her poetry. To determine what this way of gazing is, what its properties and stylistic implications are, is the purpose of the article. The poem...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Facultad de Filosofía y Humanidades
2020
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/31230 |
| Aporte de: |
| Sumario: | Maria Teresa Andruetto's writing seems to be based on a particular way of gazing, which contributes to one of the most prominent stylistic features of her poetry. To determine what this way of gazing is, what its properties and stylistic implications are, is the purpose of the article. The poem The Secret of Rembrandt is taken as the object of analysis, from the field of literary studies and by taking into account some considerations of tensive semiotics, since this theoretical perspective, by correlating the sensitive with the intelligible as the first articulation of meaning, allows us to characterize the action of gazing, within Andruetto's poetry, as a form of the predominantly affective vision. |
|---|