The Lyrical Intention. Notes on an Archgenre
This work develops a critic category starting from certain poems that require breaking with the notion of “literary autonomy”: the lyrical intention. The poem, linked to autobiography, the autofiction or the autonarrative, leaves behind the traditional definition of lyricism to account for a theoret...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/29412 |
| Aporte de: |
| Sumario: | This work develops a critic category starting from certain poems that require breaking with the notion of “literary autonomy”: the lyrical intention. The poem, linked to autobiography, the autofiction or the autonarrative, leaves behind the traditional definition of lyricism to account for a theoretical problem: the distinct layers or levels that give the pronoun “I” a meaning. From the critical contributions of the theory of enunciation (Dominique Rabaté, Alain Rabatel, Dominique Maingueneau, Jean-Michel Maulpoix), various modal subjects or scenographies in which the lyrical intentionality operates are described. In this sense, I intend to incorporate the analysis of the lyrical subject and the Scribens, a concept that integrates them: the poetic signature, as described by Mutlu Konuk Blasing. |
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