A Dissident Avant-Garde: the Case Casey
The Cuban Revolution has generated different forms in which the art intervenes in politics. Inside and out of the hegemonic order, the dissident writing of Calvert Casey (Baltimore 1924 – Roma 1969) works from an esthetic affected by bilingualism and exile that explores desire tied at the Avant-Gard...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/recial/article/view/27049 |
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| Sumario: | The Cuban Revolution has generated different forms in which the art intervenes in politics. Inside and out of the hegemonic order, the dissident writing of Calvert Casey (Baltimore 1924 – Roma 1969) works from an esthetic affected by bilingualism and exile that explores desire tied at the Avant-Garde experimentation. This essay examines the construction of the identity in “El regreso” (1962) and its tie with Notas de un simulador (1969) across formal and generic strategies that frame the nouvelle inside the modern Fantasy (Rosemary Jackson) analyzing its bonds with the Gothic literature (María Negroni) and vampirism (Rosalba Campra) |
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