The popularization of prehistoric archaeology in Argentina: the problem of the antiquity of man and its visual devices (1860-1920)
This article aims to analyze the popularization of prehistoric archeology in Argentina at the beginning of the 20th century, based on the study of visual devices created and used to present knowledge about the origin and evolution of man. To this end, we present three examples of the forms acquired...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Museo de Antropología
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/antropologia/article/view/25851 |
| Aporte de: |
| id |
I10-R372-article-25851 |
|---|---|
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ojs |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
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R-372 |
| container_title_str |
Revista del Museo de Antropología |
| language |
Español |
| format |
Artículo revista |
| topic |
popularización de las ciencias arqueología prehistórica dispositivos visuales Historia de la ciencia Arqueología prehistórica popularización Arqueología Science popularization Visual devices Prehistoric archaeology Archaeology Popularização da ciência Dispositivos visuais Arqueologia pré-histórica Arqueología |
| spellingShingle |
popularización de las ciencias arqueología prehistórica dispositivos visuales Historia de la ciencia Arqueología prehistórica popularización Arqueología Science popularization Visual devices Prehistoric archaeology Archaeology Popularização da ciência Dispositivos visuais Arqueologia pré-histórica Arqueología Simón, Cecilia Simón, Cecilia Simón, Cecilia The popularization of prehistoric archaeology in Argentina: the problem of the antiquity of man and its visual devices (1860-1920) |
| topic_facet |
popularización de las ciencias arqueología prehistórica dispositivos visuales Historia de la ciencia Arqueología prehistórica popularización Arqueología Science popularization Visual devices Prehistoric archaeology Archaeology Popularização da ciência Dispositivos visuais Arqueologia pré-histórica Arqueología |
| author |
Simón, Cecilia Simón, Cecilia Simón, Cecilia |
| author_facet |
Simón, Cecilia Simón, Cecilia Simón, Cecilia |
| author_sort |
Simón, Cecilia |
| title |
The popularization of prehistoric archaeology in Argentina: the problem of the antiquity of man and its visual devices (1860-1920) |
| title_short |
The popularization of prehistoric archaeology in Argentina: the problem of the antiquity of man and its visual devices (1860-1920) |
| title_full |
The popularization of prehistoric archaeology in Argentina: the problem of the antiquity of man and its visual devices (1860-1920) |
| title_fullStr |
The popularization of prehistoric archaeology in Argentina: the problem of the antiquity of man and its visual devices (1860-1920) |
| title_full_unstemmed |
The popularization of prehistoric archaeology in Argentina: the problem of the antiquity of man and its visual devices (1860-1920) |
| title_sort |
popularization of prehistoric archaeology in argentina: the problem of the antiquity of man and its visual devices (1860-1920) |
| description |
This article aims to analyze the popularization of prehistoric archeology in Argentina at the beginning of the 20th century, based on the study of visual devices created and used to present knowledge about the origin and evolution of man. To this end, we present three examples of the forms acquired by this knowledge and the practices associated with its study: the visual course of the explanatory hypotheses about the ways of life of the first inhabitants of the Río de La Plata region, the presentation of images about the archaeological work in the graphic press and the exhibition of prehistoric life in museums and theme park projects. Through these cases we analyze the mechanisms that operated in the construction and circulation of knowledge about archeology in different contexts and for diverse audiences. The study of visuality from its condition of images-artifacts, that is, due to its material and representational nature, allows us to problematize the relationships that social groups have had with the creation and promotion of knowledge around times and ways of life in the past. |
| publisher |
Facultad de Filosofía y Humanidades. Museo de Antropología |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/antropologia/article/view/25851 |
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2024-09-03T20:02:35Z |
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2025-03-27T05:33:21Z |
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I10-R372-article-258512024-11-04T18:58:06Z The popularization of prehistoric archaeology in Argentina: the problem of the antiquity of man and its visual devices (1860-1920) La popularización de la arqueología prehistórica en la Argentina: el problema de la antigüedad del hombre y sus dispositivos visuales (1860-1920) A popularização da arqueologia pré-histórica na Argentina: o problema da antiguidade do homem e seus dispositivos visuais (1860-1920) Simón, Cecilia Simón, Cecilia Simón, Cecilia popularización de las ciencias arqueología prehistórica dispositivos visuales Historia de la ciencia Arqueología prehistórica popularización Arqueología Science popularization Visual devices Prehistoric archaeology Archaeology Popularização da ciência Dispositivos visuais Arqueologia pré-histórica Arqueología This article aims to analyze the popularization of prehistoric archeology in Argentina at the beginning of the 20th century, based on the study of visual devices created and used to present knowledge about the origin and evolution of man. To this end, we present three examples of the forms acquired by this knowledge and the practices associated with its study: the visual course of the explanatory hypotheses about the ways of life of the first inhabitants of the Río de La Plata region, the presentation of images about the archaeological work in the graphic press and the exhibition of prehistoric life in museums and theme park projects. Through these cases we analyze the mechanisms that operated in the construction and circulation of knowledge about archeology in different contexts and for diverse audiences. The study of visuality from its condition of images-artifacts, that is, due to its material and representational nature, allows us to problematize the relationships that social groups have had with the creation and promotion of knowledge around times and ways of life in the past. En el presente artículo nos proponemos analizar la popularización de la arqueología prehistórica en la Argentina a comienzos del siglo XX, a partir del estudio de los dispositivos visuales creados y utilizados para presentar saberes en torno al origen y la evolución de nuestra especie. Para ello presentamos tres ejemplos sobre las formas que adquirieron esos conocimientos y las prácticas asociadas con su estudio: el derrotero visual de las hipótesis explicativas sobre los modos de vida de los primeros habitantes de la región rioplatense, la presentación de imágenes sobre el trabajo arqueológico en la prensa gráfica y la exhibición de la vida prehistórica en museos y proyectos de parques temáticos. A través de estos casos analizamos los mecanismos que operaron en la construcción y circulación de saberes sobre arqueología en diferentes contextos y para audiencias diversas. El estudio de la visualidad desde su condición de imágenes-artefactos, esto es, por su carácter material y representacional, nos permite problematizar las relaciones que los grupos sociales han tenido con la creación y promoción de saberes en torno a los tiempos y modos de vida pretéritos. Neste artigo nos propomos a analisar a popularização da arqueologia pré-histórica na Argentina no início do século XX, a partir do estudo dos dispositivos visuais criados e utilizados para apresentar conhecimentos sobre a origem e evolução de nossa espécie. Para tal, apresentamos três exemplos das formas que este conhecimento adquiriu e das práticas associadas ao seu estudo: o percurso visual das hipóteses explicativas sobre os modos de vida dos primeiros habitantes da região do Rio da Prata, a apresentação de imagens sobre os trabalhos arqueológicos em a imprensa e a exposição da vida pré-histórica em museus e projetos de parques temáticos. Através destes casos, analisamos os mecanismos que operaram na construção e circulação do conhecimento sobre a arqueologia em diferentes contextos e para diversos públicos. O estudo da visualidade a partir da sua condição de imagens-artefatos, ou seja, pelo seu caráter material e representacional, permite problematizar as relações que os grupos sociais têm mantido com a criação e promoção de conhecimentos sobre tempos e modos de vida. passado. Facultad de Filosofía y Humanidades. Museo de Antropología 2020-08-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares Artigo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/25851 10.31048/1852.4826.v13.n2.25851 Revista del Museo de Antropología; Vol. 13 No. 2 (2020); 105-118 Revista del Museo de Antropología; Vol. 13 Núm. 2 (2020); 105-118 Revista del Museo de Antropología; v. 13 n. 2 (2020); 105-118 1852-4826 1852-060X 10.31048/1852.4826.v13.n2 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/25851/30809 Argentina Argentina-siglos XIX y XX Argentina Derechos de autor 2020 Cecilia Simón https://creativecommons.org/licenses/by-nc-sa/4.0 |