Music and dance as particiapative spaces among young children of migrant Bolivians and Paraguayans in Buenos Aires (Argentina)
This article is partially based on my PhD thesis, which used an anthropological approach to study identifications and ways of participation among “second-generation” immigrants in Argentina’s city capital. The present analysis will take up some aspects of those ways of participation among second-gen...
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Facultad de Filosofía y Humanidades. Museo de Antropología
2016
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/antropologia/article/view/12374 |
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I10-R372-article-123742024-11-04T18:45:21Z Music and dance as particiapative spaces among young children of migrant Bolivians and Paraguayans in Buenos Aires (Argentina) Música y danza como espacios de participación de los jóvenes hijos de migrantes bolivianos y paraguayos en Buenos Aires (Argentina) Gavazzo, Natalia música y danza hijos de inmigrantes participación identificación cultural nusic and dance second-generation immigrants social Participation cultural identification This article is partially based on my PhD thesis, which used an anthropological approach to study identifications and ways of participation among “second-generation” immigrants in Argentina’s city capital. The present analysis will take up some aspects of those ways of participation among second-generation Bolivians and Paraguayans in Buenos Aires, starting from the study of their artistic and cultural practices linked to their parents’ origin, specially music and dance. Taking into account identification processes among the generation of the descendants, this article will place those artistic practices and these youth participation within the frame of current socio-political situations and changes (that go beyond the local and the national level to reach the trans/international space). The final aim is to elaborate a broader definition of “the political”, that will not be limited to traditional ways of social and political participation, in order to create key elements to understand music and dance as tools for transformation, especially among urban working class young people. Este artículo se desprende de una tesis doctoral que –desde una perspectiva antropológica- se enfocó en las identificaciones y formas de participación de la “segunda generación” de inmigrantes en la ciudad capital de la Argentina. En el presente análisis se retoman algunos aspectos de la participación de los hijos de bolivianos y paraguayos de Buenos Aires a partir del examen de sus prácticas artístico-culturales, especialmente de música y danza vinculada al origen de sus padres. Tomando en cuenta los procesos de identificación de la generación de los hijos, se pretende situar a estas prácticas artísticas y a la participación de estos jóvenes en el marco de ciertas coyunturas y cambios actuales (que exceden el ámbito de la ciudad y el país, y alcanzan un nivel inter/ trans-nacional). De este modo se propone una concepción de “lo político” desde una perspectiva diferente a la que remite a las prácticas tradicionales desde las cuales se piensa la participación social y/o política, que brinde elementos para concebir a la música y a la danza como herramientas de transformación especialmente entre jóvenes urbanos de sectores populares. Facultad de Filosofía y Humanidades. Museo de Antropología 2016-06-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer reviewed article Artículo revisado por pares Artigo revisado por pares application/pdf https://revistas.unc.edu.ar/index.php/antropologia/article/view/12374 10.31048/1852.4826.v9.n1.12374 Revista del Museo de Antropología; Vol. 9 No. 1 (2016); 83-94 Revista del Museo de Antropología; Vol. 9 Núm. 1 (2016); 83-94 Revista del Museo de Antropología; v. 9 n. 1 (2016); 83-94 1852-4826 1852-060X 10.31048/1852.4826.v9.n1 spa https://revistas.unc.edu.ar/index.php/antropologia/article/view/12374/14678 Derechos de autor 2016 Natalia Gavazzo |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-372 |
| container_title_str |
Revista del Museo de Antropología |
| language |
Español |
| format |
Artículo revista |
| topic |
música y danza hijos de inmigrantes participación identificación cultural nusic and dance second-generation immigrants social Participation cultural identification |
| spellingShingle |
música y danza hijos de inmigrantes participación identificación cultural nusic and dance second-generation immigrants social Participation cultural identification Gavazzo, Natalia Music and dance as particiapative spaces among young children of migrant Bolivians and Paraguayans in Buenos Aires (Argentina) |
| topic_facet |
música y danza hijos de inmigrantes participación identificación cultural nusic and dance second-generation immigrants social Participation cultural identification |
| author |
Gavazzo, Natalia |
| author_facet |
Gavazzo, Natalia |
| author_sort |
Gavazzo, Natalia |
| title |
Music and dance as particiapative spaces among young children of migrant Bolivians and Paraguayans in Buenos Aires (Argentina) |
| title_short |
Music and dance as particiapative spaces among young children of migrant Bolivians and Paraguayans in Buenos Aires (Argentina) |
| title_full |
Music and dance as particiapative spaces among young children of migrant Bolivians and Paraguayans in Buenos Aires (Argentina) |
| title_fullStr |
Music and dance as particiapative spaces among young children of migrant Bolivians and Paraguayans in Buenos Aires (Argentina) |
| title_full_unstemmed |
Music and dance as particiapative spaces among young children of migrant Bolivians and Paraguayans in Buenos Aires (Argentina) |
| title_sort |
music and dance as particiapative spaces among young children of migrant bolivians and paraguayans in buenos aires (argentina) |
| description |
This article is partially based on my PhD thesis, which used an anthropological approach to study identifications and ways of participation among “second-generation” immigrants in Argentina’s city capital. The present analysis will take up some aspects of those ways of participation among second-generation Bolivians and Paraguayans in Buenos Aires, starting from the study of their artistic and cultural practices linked to their parents’ origin, specially music and dance. Taking into account identification processes among the generation of the descendants, this article will place those artistic practices and these youth participation within the frame of current socio-political situations and changes (that go beyond the local and the national level to reach the trans/international space). The final aim is to elaborate a broader definition of “the political”, that will not be limited to traditional ways of social and political participation, in order to create key elements to understand music and dance as tools for transformation, especially among urban working class young people. |
| publisher |
Facultad de Filosofía y Humanidades. Museo de Antropología |
| publishDate |
2016 |
| url |
https://revistas.unc.edu.ar/index.php/antropologia/article/view/12374 |
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2024-09-03T20:00:52Z |
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2025-03-27T05:32:17Z |
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