New palaces: Architecture as an illustration of the nation, Uruguay (1894-1914)

Uruguay underwent a huge transformation process around 1900 that placed it as a modern, thriving and independent nation within the great world panorama. The architectural works produced in the country at that time were used as a demonstration of greatness, abundance and progress by advertising publi...

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Autor principal: Rimbaud, Tatiana
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Arquitectura, Urbanismo y Diseño 2024
Materias:
architecture
nation
history
identity
arquitectura
nación
historia
identidad
Acceso en línea:https://revistas.unc.edu.ar/index.php/pensu/article/view/46402
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PENSUM de Universidad Nacional de Córdoba
id I10-R371-article-46402
record_format ojs
spelling I10-R371-article-464022024-12-06T19:13:48Z New palaces: Architecture as an illustration of the nation, Uruguay (1894-1914) Nuevos palacios: La arquitectura como ilustración de la nación, Uruguay (1894-1914) Rimbaud, Tatiana architecture nation history identity arquitectura nación historia identidad Uruguay underwent a huge transformation process around 1900 that placed it as a modern, thriving and independent nation within the great world panorama. The architectural works produced in the country at that time were used as a demonstration of greatness, abundance and progress by advertising publications sent to Europe in order to attract potential visitors and settlers. This work addresses - through the look at the buildings portrayed in these publications - the role of architecture in the process of formation and consolidation of the republic. The analysis of the incorporation of these images is crossed by the conceptions of national identity, closely related to the modernization processes of the beginning of the 20th century. It is proposed to reflect on how the visuality of the architecture produced in that period - executed by the first professionals trained in the country - collaborated in the processes of national identification.   Uruguay atravesó un enorme proceso de transformación alrededor del 1900 que lo colocó como nación moderna, pujante e independiente dentro del gran panorama mundial. Las obras de arquitectura elaboradas en el país en esa época fueron utilizadas como demostración de grandeza, abundancia y progreso por las publicaciones de corte publicitario que se enviaban a Europa con el fin de captar posibles visitantes y pobladores. Este trabajo aborda -a través de la mirada a las obras edilicias retratadas en esas publicaciones- el rol de la arquitectura en el proceso de conformación y consolidación de la república. El análisis de la incorporación de estas imágenes es atravesado por las concepciones de identidad nacional, íntimamente relacionados en los procesos de modernización de inicio del siglo XX. Se propone reflexionar sobre cómo la visualidad de la arquitectura realizada en ese periodo -ejecutada por los primeros profesionales formados en el país- colaboró en los procesos de identificación nacional.   Facultad de Arquitectura, Urbanismo y Diseño 2024-12-06 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/pensu/article/view/46402 10.59047/2469.0724.v10.n13.46402 PENSUM; Vol. 10 Núm. 13 (2024); 101-116 2469-0724 10.59047/2469.0724.v10.n13 spa https://revistas.unc.edu.ar/index.php/pensu/article/view/46402/47295 https://revistas.unc.edu.ar/index.php/pensu/article/view/46402/47296 Derechos de autor 2024 Tatiana Rimbaud https://creativecommons.org/licenses/by-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-371
container_title_str PENSUM
language Español
format Artículo revista
topic architecture
nation
history
identity
arquitectura
nación
historia
identidad
spellingShingle architecture
nation
history
identity
arquitectura
nación
historia
identidad
Rimbaud, Tatiana
New palaces: Architecture as an illustration of the nation, Uruguay (1894-1914)
topic_facet architecture
nation
history
identity
arquitectura
nación
historia
identidad
author Rimbaud, Tatiana
author_facet Rimbaud, Tatiana
author_sort Rimbaud, Tatiana
title New palaces: Architecture as an illustration of the nation, Uruguay (1894-1914)
title_short New palaces: Architecture as an illustration of the nation, Uruguay (1894-1914)
title_full New palaces: Architecture as an illustration of the nation, Uruguay (1894-1914)
title_fullStr New palaces: Architecture as an illustration of the nation, Uruguay (1894-1914)
title_full_unstemmed New palaces: Architecture as an illustration of the nation, Uruguay (1894-1914)
title_sort new palaces: architecture as an illustration of the nation, uruguay (1894-1914)
description Uruguay underwent a huge transformation process around 1900 that placed it as a modern, thriving and independent nation within the great world panorama. The architectural works produced in the country at that time were used as a demonstration of greatness, abundance and progress by advertising publications sent to Europe in order to attract potential visitors and settlers. This work addresses - through the look at the buildings portrayed in these publications - the role of architecture in the process of formation and consolidation of the republic. The analysis of the incorporation of these images is crossed by the conceptions of national identity, closely related to the modernization processes of the beginning of the 20th century. It is proposed to reflect on how the visuality of the architecture produced in that period - executed by the first professionals trained in the country - collaborated in the processes of national identification.  
publisher Facultad de Arquitectura, Urbanismo y Diseño
publishDate 2024
url https://revistas.unc.edu.ar/index.php/pensu/article/view/46402
work_keys_str_mv AT rimbaudtatiana newpalacesarchitectureasanillustrationofthenationuruguay18941914
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first_indexed 2025-02-05T22:23:31Z
last_indexed 2025-02-05T22:23:31Z
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